Robust 2022 Online Subtitrat in Romana

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Robust

campionat : Robust
lansare : 2022-03-02
arhivare : 95 Minutes
gen muzical : Comedy

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Nightcrawler 2014 Online Subtitrat in Romana

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Nightcrawler

titulatură  : Nightcrawler
: 2014-10-23
arhivare : 118 Minutes
gen muzical : Crime, Drama, Thriller

**Survival of the Batsh!t Craziest**

Here we have a sociopath for the digital age. A _Taxi Driver_ for the early 21st Century. Louis Bloom might have been born yesterday, just before taking an online course in Small Business Management, the new way to self-educate, without the petty annoyances of human contact and interaction. Every basic lesson he absorbed is put to the test with the obsessive solitary singular purpose of succeeding. Jake Gyllenhaal immerses himself in the role with psychotic stupor. He speaks with the same forward-plotting conviction whether tossing about obvious clichés or revealing something brilliant. The perfect entrepreneur. A maniacal detached idiot savant on a ruthless predatory mission. Morality and the legal system are minor roadblocks to dodge, riddles to resolve, sentiments to overcome. His brand of narcissistic psychosis is a genetic mutation that insures the survival of the species. Like an Aryan bulldozer, he cripples and kills the weak, exploiting the flaws in humanity, cannibalizing the limits of civilization, and capitalizing on each opportunity every step of the way, all for his own personal gain. All while intuiting which backs to scratch and/or stab and when. The perfect entrepreneur. The quintessential post-9/11 movie hero. Where Travis Bickle sought to take down corruption to rescue the innocent, Louis Bloom does the opposite, preying on the fallen and severing the social codes and mores that bind us for his own solitary success. American Exceptionalism. Nightcrawler is nanoeconomics in its purest, most wicked and vicious form. I’m sure some may see it not so much as a comment on what ails us but as an inspiration to venture out from, and Bloom as a persistent determined role model to imitate. How-to-Succeed-in Business-Without-Feeling. Humanity is merely a construct that can be subjugated, an apparatus to dismantle, a child’s toy for the child that wants it all.
‘Nightcrawler’ is a neo noir thriller starring a very impressive (and thin) Jake Gyllenhaal which cleverly satirises the media industry’s obsession with horror and violence.

The poster’s correlation with Nicolas Winding Refn’s ‘Drive’ is a very clear choice because they are very similar in how they’re made in terms of themes and even soundtrack. The film is also very similar to Martin Scorsese’s ‘Taxi Driver’ and David Fincher’s ‘Seven’ as the cinematography is very bleak and dark.

The story is disturbingly gripping as the audience view Lou Bloom’s rise as an amateur journalist who seems to do anything to get the best footage of horrific crime scenes. What’s more shocking are the news channels that purchase his work claiming “if it bleeds, it leads!”.

Jake Gyllenhaal is brilliant in the starring role as he seems creepy but also powerful and shrewd.

★★★★
I find it truly amazing that Jake Gyllenhaal did not win nor was even nominated for an Oscar for this stunning performance as Louis Bloom. Makes me wonder how much of who gets nominated and who wins rides on insider politics and not on merit. Or how many Oscar noms and wins are “gifts” in the respect that either an actor has a catalog of wonderful performances and has never won (Henry Fonda comes to mind for “On Golden Pond”)or the effort put into as role somehow makes it an Oscar winning performance (Leo DiCaprio in “The Revenant”).

Gyllenhaal becomes his character; a feral, single minded, means justify the end “bottom feeder” catering to the worst in humanity – our seemingly built in need to view others pain. He sees nothing at all wrong with what he does or how he goes about it. Easily he is most believable sociopath I have seen on film. In a performance marked by many stand out moments perhaps the most galvanizing one is not an action sequence but a quiet moment (before a storm) where he tells an employee that “Maybe my problem isn’t that I don’t understand people, but that I don’t like them.”

How his work was over looked for an Oscar is beyond what good acting warrants and indeed must fall within the machinery of Hollywood backroom politics. Going by IMDb, he was nominated for outstanding acting by just about every other award given in entertainment except the Academy. Maybe perhaps his Lou Bloom was too good and looking at this work, for Hollywood, was like looking into the darkest darkness; understanding the reflection they saw in it was themselves.
That’s my job, that’s what I do, I’d like to think if you’re seeing me you’re having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it’s not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it’s a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it’s all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can’t look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it’s a minor complaint. For this is a sharp piece of film making, gloomy of course, but thrilling and deliciously troubling into the bargain. 9/10
That’s my job, that’s what I do, I’d like to think if you’re seeing me you’re having the worst day of your life.

Quite a debut from director and writer Dan Gilroy, Nightcrawler stars Jake Gyllenhall as Louis Bloom, a low level Los Angles thief desperate for work. Stumbling upon an accident he is introduced to the world of video news filming, opening his eyes to the money that can be made out of real life crime. Muscling his way onto the scene, it’s not long before Louis blurs the line between the rights and wrongs of the occupation.

We here have our eyes opened to the world of the nightcrawlers (genuine people), and it’s a murky one. Gilroy enjoys multi genre blending, splicing bits of horror thriller conventions with satirical barbs pointed at the television based media. Bloom is a frightening character, a sociopath that easily manoeuvres his way around this shifty world, and Gyllenhaal superbly brings him to life. Gaunt (Gyllenhaal lost a lot of weight for the part) with hollow eyes, and spouting management monologues he has learned off of the internet, Bloom only see human misery as a way of making money. Not that TV station editor Nina Romina (Renee Russo) is that much of a better person, and the relationship between the two is troublesome yet dynamic thanks to the excellent script.

The look of the picture needed to be atmospherically tight to the thematics at work, and thankfully that is the case. Predominantly set at night, it’s all darkness and shadows that in turn are mixed with neon lighted cityscapes and dimmed lamplights. Bloom is at home here, the surroundings match his bents, he has found his calling to a side of the City of Angels which has a fascinating car crash kind of believability to it. The key to it all is that Gilroy and Gyllenhaal rope us viewers in to the point we can’t look away, even as Bloom gets worse, morally bankrupt, we are right there with him looking trough his cameras.

The relationship between Bloom and his sole employee, Rick (Riz Ahmed) is a little undernourished, but it’s a minor complaint. For this is a sharp piece of film making, gloomy of course, but stylish with it, it’s also thrilling and deliciously troubling into the bargain. 9/10
_Nightcrawler_ shows the dark and sadistic rise of an underground freelance video producer that left me on the edge of my seat in disbelief throughout the entire film.

The film begins following Lou Bloom, a man down on his luck during economic turmoil trying to find his way in the world. The whole first act really builds his sense of helplessness and drive to help lift himself out of his financial hardship. This drive is built upon throughout the entire story as with each step Bloom’s morals and societal lines drift farther and farther from the norms. The entire theme of the story really resonates with common day America, as you are told to work hard and pave a path for yourself no matter the cost to those around you. Dan Gilroy did an outstanding job with the direction and writing of the entire film. The unsettling nature of dialogue and characters actions/motivations is incredibly eerie as it is indicative of society today. Each scene feels real as if it is a retelling of true events. I believed every second of Lou Bloom as a character, and that is largely due to Jake Gyllenhall’s best performance to date.

Gyllenhall does such an excellent job of putting on this outcast persona. As a loner, he spends most of his time learning on the internet and due to that he does not really understand the nuances of everyday life. This is done tremendously well as every line delivered by Gyllenhall is so sharp and awkward, but the source of the words is tremendously powerful. The sense of emotion displayed by the lead is fantastic as well, he swings from being incredibly upset to quickly turning into a calm put together businessman. It demonstrates Bloom’s extreme passion for this work as his emotions blind him to not only his speech but slowly morality. Every aspect of Gyllenhall’s performance was incredibly visceral and every bit deserving of an Oscar. I touched a lot on the main lead here, but the supporting cast was all around spectacular. Rene Russo and Riz Ahmed did excellent jobs in their parts. They were able to mirror the audience’s reactions to the unhinged nature that is Lou Bloom, this aspect really resonated with me.

Overall, _Nightcrawler_ was one of the best movies I have seen in a long time. It was able to capture me in the world and had me completely engaged with the story Gilroy was attempting to deliver. The film ends with a bang and has left me thinking about it hours after viewing.

**Grade:** _97%_

**Verdict:** _Masterpiece_

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Take Out Girl 2021 Online Subtitrat in Romana

Take Out Girl Online Subtitrat in Romana – [1080p]

Take Out Girl

titulatură  : Take Out Girl
a elibera  : 2021-05-18
arhivare : 99 Minutes
gen muzical : Drama, Thriller

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The Lost Daughter 2021 Online Subtitrat in Romana

The Lost Daughter Online Subtitrat in Romana – [1080p]

The Lost Daughter

calificativ : The Lost Daughter
a slobozi  : 2021-12-16
arhivare : 122 Minutes
compoziţie : Drama

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Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) 2020 Online Subtitrat in Romana

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Online Subtitrat in Romana – [1080p]

Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

subtitlu : Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)
lansare : 2020-02-05
arhivare : 109 Minutes
gen muzical : Action, Crime

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Since Wonder Woman that the DCEU has not missed a beat. Even though the latter is still my favorite of the universe, I have mostly a positive opinion about Justice League, Aquaman, and Shazam! Yes, these are not the greatest comic-book movies of all-time, but I would be lying if I denied that I was entertained. Birds of Prey follows the same path: it’s fun, action-heavy, and it boasts a phenomenal cast. It has some issues regarding the actual plot and a few characters, but I’ll get there.

First of all, let me get the mandatory compliments to Margot Robbie’s performance out of the way. If there’s a DC character better than Harley Quinn for Robbie to portray, please let me know, because I think she’s absolutely perfect as a lunatic, over-the-top psychiatrist-turned-psychopath. Suicide Squad might be a total mess, but I doubt anyone denies how Robbie fits seamlessly into the Harley persona. From her looks to the way she speaks and from her physical movement to her facial expressions, there’s just no better casting.

She embodies the whole film’s chaotic vibe and even contributes to the (very) colorful set design. However, she’s not the only one who delivers a spectacular performance. Jurnee Smollett-Bell offers a surprisingly captivating display as Dinah Lance / Black Canary. Even though Harley Quinn is the main character, I found myself caring a lot about Dinah. Her way of living suits the character’s personality like a glove, and she’s undoubtedly the best-written secondary character of the movie. Unfortunately, I can’t say the same about the others, and this is one of my biggest issues.

It’s a film packed with cliches and attempts of making the characters aware of those cliches, which is also, well, something pretty overused. What’s more generic? Having the bad guy telling the hero their masterplan or having the hero stating how the bad guy is incredibly dumb by thinking of doing that? At first, I laughed, and I thought it was funny the way Christina Hodson was avoiding to write straight-up cliche characters by making everyone else aware of the way these talk or move.

But the whole “I know you’re cliche, so you can get away with saying or doing cliche things” only works for a couple of scenes, not an entire movie. This is why I wasn’t able to connect with Renee Montoya or care about her narrative at all. Mary Elizabeth Winstead is one of my favorite actresses, but she has the least screentime of the entire cast. I never criticize a film for not giving an actor/actress I like a more important role (unlike other people, I believe it would be unfair to do so). Still, I do complain if I think a particular character should have been given more screentime, which is the case of Huntress.

I find her backstory way more exciting and emotionally investing than Rosie Perez’s character, but sadly Huntress’ personal story serves only as a not-that-surprising third act twist. There are several past-present transitions in the storytelling, most work, but some feel extremely abrupt. Nevertheless, Winstead is outstanding every single time she’s on camera! Ewan Mcgregor offers a good performance as the villain, but he leads me to my other major issue: the central plot. Trivia time: a MacGuffin is an object, device, or event necessary to the narrative and the motivation of the characters, but insignificant, unimportant, or irrelevant in itself.

The thread that connects every single character is based on one of the most overused MacGuffins ever. Now, don’t get me wrong: a MacGuffin is NOT a synonym of bad writing or of a bad plot! It’s merely something that leads to nothing. Having in mind that Birds of Prey is a character-driven movie, a plot centered around a MacGuffin is not unusual. As long as every character works, the primary story can simply be a passenger (Quentin Tarantino’s Once Upon a Time in Hollywood applies this method). However, in Birds of Prey, not every character has an interesting story…

Basically, Christina Hodson’s screenplay isn’t exactly bad, but it isn’t great too. Just like the film, it has its ups and downs, and I saved some of the ups for last because I do want to end this review on a positive note. Finally, a DCEU movie where the action isn’t overwhelmed with CGI, but with detailed choreography and long takes instead! Thank you, Cathy Yan, for bringing some of the best action sequences in this universe. Even if the third act gets a little sloppy due to the amount of characters, it’s still a very satisfying ending. The score beautifully accompanies the action, and the visuals are truly gorgeous to look at. The comedy bits are on-point, I laughed quite often, but my final remark goes to a topic I rarely address…

Birds of Prey is a filmmaking lesson on how to produce an incredibly diverse movie without it feeling forced or unnatural. Only AFTER leaving the theater, I acknowledged the fact that the cast and characters are from various races, cultures, and have different sexual preferences. Why? Because this film doesn’t waste its runtime by having its characters mention how black, white, Latinas, Chinese, gay, or whatever they are. They simply are what they are, and we all have eyes to see them. Congrats to Yan, Hodson, and everyone else who decided to treat the characters as if they’re humans like every one of us.

In the end, Birds of Prey (and the ridiculously long subtitle) continues DCEU’s streak of (at least) good movies since Wonder Woman came out. With a phenomenal cast led by an outstanding Margot Robbie as Harley Quinn, Cathy Yan delivers some of the best action of the entire universe in a genuinely entertaining superhero flick. A colorful, chaotic, and fun vibe is present throughout the whole runtime, as well as a pretty neat score. However, Christina Hodson’s screenplay lacks creativity. The main plot revolves around the most overused MacGuffin ever, and some characters are straight-up taken from the book of cliches. It’s a generic comic-book film with a formulaic narrative, but one that possesses enough fun and entertainment to overlook the typical story.

Rating: B-
Pretty good Movie, I did not expect Harvey Quinn can kick ass like that. I can see some guy can be turn off this movie because all women hero team. I find it very entertaining and well made.
Garbage.
Nothing, and I REALLY MEAN NOTHING good to say about this.
I really dug “Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)” because it is unlike any movie I’ve seen before. There are the conventional-minded and flashy action scenes that accompany most superhero characters, but this is a violent, R-rated, naughty-joke, potty-mouthed comic book tour de force made for women over 25. It’s a boisterous good time for feminists and girl nerds everywhere.

The film is told from the twisted and deliciously sarcastic point of view of Harley Quinn (Margot Robbie), ex-girlfriend of the Joker. When the evil Roman Sionis (Ewan McGregor) puts out a hit on a young petty thief (Ella Jay Basco), the most nefarious villains turn Gotham City upside down looking for her. When Harley crosses paths with Huntress (Mary Elizabeth Winstead), Black Canary (Jurnee Smollett-Bell), and cop Renee Montoya (Rosie Perez), the women learn they have no choice but to team up in order to take Sionis down once and for all.

The heartbeat of the film lies in Robbie’s iconic character interpretation of Harley Quinn. She is terrific in making her naughty character with a mean streak easy to love. Harley isn’t exactly a woman you want to emulate, but it sure would be fun to hang out and be friends with her.

All of the supporting performances here really are first-rate too. McGregor chews scenery with audacious glee, and his villain is truly terrifying. With the addition of a diverse, kick-ass female supporting cast playing equally bad-ass superheros, the film takes a multicultural feminist slant that thankfully doesn’t seem forced by committee.

“Birds of Prey” is the type of scrappy mayhem that gives a sparkle of excitement to the mostly bland and boring DCEU. It’s colorful and chaotic, reckless and energetic, and I am surprised that I enjoyed this movie as much as I did. This is a really, really fun spectacle that could bring new fans to the genre.
‘Birds of Prey’ its absolute thrill ride. It’s unapologetically fun and crude and violent. To quote Saoirse Ronan from ‘Little Woman’… “Women.”
– Chris dos Santos

Read Chris’ full article…
https://www.maketheswitch.com.au/article/review-birds-of-prey-im-here-to-report-a-terrible-crime-dc-has-saved-cinema
I am afraid to say,, but after watching Suicide Squad which was pretty good.
This is a let down and I was looking forward to watching it.
After watching this I think if there was a plot/story behind the movie, I couldn’t see it it was all over the place and nothing seemed to follow.
All I can say about this movie is the Actors/Actresses were paid to be stupid and not funny, I hoped for better things and got trash.
**Very refreshing and funny**, The movie is very different from like any team-up movie I’ve ever seen, it will make you forget that it’s a superhero movie entirely it feels like it’s just a crazy movie with criminal minds all over the city moving quite freely in fancy dress until one scene of Black Canary where you realise yeah you’re watching a super-hero movie they gota show their powers. **It’s violent and humorous and Margot Robbie’s Harley Quinn is Fantastic and I really loved the Crossbow Killer**,
DCEU has come up with really great works since the Justice League (ignoring the Aquaman) and if you’re counting the upcoming DCEU movies then you’ll see a very great future for DC with Batman, Shazam 2 and Wonder Woman sequel.
If COVID-19 ushered cinemas off this mortal coil, I’m kind of strangely okay with telling people this was the last thing I ever got to see on the big screen.

_Final rating:★★★★ – Very strong appeal. A personal favourite._
Margot Robbie’s Harley Quinn was one of the few highlights of Suicide Squad but once this one was announced, I felt indifferent and the trailers didn’t do much to change that to the point I skipped this in theaters. Watching it now, I came away shrugging my shoulders. Some of the action scenes, supervised by Chad Stahelski, were okay but the pacing was all off and the actual BIRDS OF PREY, were sidelined and don’t really get any memorable moments. Similarly, Ewan McGregor was alright but a weak villain.

As a fan of the Batman comic book, outside of HQ, none of these resemble their counterparts, most notably Cassandra Cain who was a great character (trained as an assassin as a little girl by her father, David Cain, before being taken in by Bruce Wayne).

IDK, in the end this was a misfire and don’t think it was the fault of an inexperienced director (using the same script, not sure anyone else would’ve made all that much better). Could be a case of being too much of a vanity project for Robbie. **2.75/5**
Whilst many films have a message its a fine line between informing and lecturing.

For me “Birds of Prey” fails to appreciate this distinction. Its incessant, brittle, feminist finger wagging, is downright tiresome and quickly exhausted any sense of pleasure, I might have derived from this film.

Its a shame too, as the underyling mechanics of the story could have worked well as a basic, by the numbers, action mash up.

Regrettably that was not to be and whats left, is not something I would pay to see again. Which also applies to any spin offs or future efforts, in this vein.

2/10.
There’s boring power fantasies for boys.

This is the same boring power fantasy, but for girls.

The characters are flat, the action well filmed but inconsequential, the story nonexistent, and the entertainment value… don’t be sober if you want to be entertained. In the genre of mindless action entertainment, this is still at the bottom of the barrel – like some of the 80s action movies which are better off forgotten.
Nice styling and set design, though.

The actors did their best given what they had to work with, but it is only Margot Robbie who impresses by making the main character watchable by her acting.

Verdict: Even if you are in for mindless action, don’t waste your time on this. Clips are enough to see style and script.
Average watch at best, might watch again, and can’t recommend.

There are several ways to look at this movie:
1) From a sequel stand point.
2) From a comics stand point.
3) From a stand alone movie stand point.

1) Sequel stand point
THERE IS AN ENTIRE MOVIE MISSING! This is the 3rd part of the “Harley Quinn Trilogy”. We’re missing an entire transformation of a character from one thing to another for this movie to even be able to happen. And if you’re picking at that thread, then there is probably 2 or 3 movies before “Suicide Squad”.

2) From a comics standpoint
OMG, they pooed all over almost every concept they borrowed from the comics.
-Harley leaving the Joker- This was a huge Gotham event, not from a Gotham standpoint, but in the revolution and rebirth of a character that literally is left out of the story here.
-Birds of Prey- Never mentioned in the movie, they come together our of necessity, like the Avengers, when the original concept was orchestrated by Oracle who hand picked women in the vigilante field to help her, but at least they included the originals, Huntress and Black Canary
-Huntress- I’ve never loved Mary Elizabeth Winstead more, but they turned the “Crossbow Killer” vs Huntress thing into a really poor joke, making her seem sad instead of powerful, when should be saying, “I am the Huntress” to install the fear of the name into criminals as she was a killing vigilante, the only reason Batman wouldn’t work with her, and a main contention with Oracle.
-Black Canary- I understand that there are WAY too many white characters, but the solution is not to “wash” characters, just create new characters that help balance out the whole pool. Jurnee Smollett is awesome, and she does a great job, but she’s not the same Black Canary that I know, that was an international spy / mercenary (basically an American Black Widow). The gritty reboot is good, I’d just rather it be her own character and have it stand on her own awesome footing.
-Cassandra Cain- What a creative way to ruin a future Batgirl movie. And that has to be what it is. They some contention with someone else wanting the rights (or they’re elapsing) and we’re seeing what happened to Spiderman and Venom, they’re using the name so someone else can’t. She was supposed to be the assassin turned vigilante, the daughter of Deathstroke, raised in the League of Shadows, but sure 2 bit pickpocket works.
-Harley Quinn- They are all over the place with her, from helpless girl to badass to bad fighter to lucky only to clueless to amazing intellect, to violent psychopath to emotional friend. Pick a lane. And the “word on face” thing didn’t go over well with Joker, not sure why the kept such a distraction when her face is already the symbol with which she garners the desired attention.

3) Stand alone movie
I hate the stupid way they jump around with the story: I didn’t like in in “Pulp Fiction” where it had purpose, I doubt I’ll ever like it anywhere else.

That aside, this is actually pretty great, they spent a lot of money to get the production value where it needs to be, the cast is awesome, the story (when understandable) is pretty good, and the characters are entertaining as hell, even if Harley Quinn now seems to be a lot more Deadpool than I want.

Most of its problems are just that it is trying to be a Gotham Knights, DC movie when it absolutely doesn’t have to be. Using names that people don’t recognize and giving them a different experience only turns your great movie into a good movie.

I miss the days when people just made a thing they thought was good and saw if they were right. All this spreadsheet analysis of world wide information is definitely skewing movies, and we haven’t even been doing it long enough to see if it’s really effective measurement.

Long-short: it’s a good enough movie to be potentially great if you just pretend you know nothing about anything else.
If you found yourself internally screaming for Ryan Reynolds to shut the hell up during Deadpool, then the relentless, zany narration of Margot Robbie’s Harley Quinn will likely send you gibbering and ruined towards the emergency exit after, oh, 23 seconds.
Harley Quinn: Birds of Prey is DC entertainment’s latest effort to conquer the territory of film-adapted comics, a different effort with a really interesting idea at its base. Making Harley Quinn the main character in your own movie after shining on the terrible Suicide Squad makes perfect sense, ridding her of the Joker’s abusive control makes the idea even more interesting (although I’m of the opinion that Joker should have been the great villain of this film).

Sometime after the events of Suicide Squad, and after ending his relationship with the Joker, Quinn breaks up with the factory where he gave himself up to his former crush, announcing to Gotham the whole time that he was no longer under the protection of the feared Crime Clown . Of course, in doing so, Quinn makes herself a target to shoot down, due to all the evil she had done in the past, inspiring the villain Roman Sionis (played by an eccentric Ewan McGregor) to chase her, that and a missing diamond causes Harley to cross paths with the group of women whose title the film refers to.

I would say that the biggest problem with Harley Quinn: Birds of Prey is the combination of several elements that do not always make the most sense. There are times when the film seems to want to put Harley in the midst of a new team such a Suicide Squad, other times when it is only concerned with focusing on it, as if it were trying to follow a plot in which, in the end, it would face Joker (Since Joker doesn’t even make any appearance in the film, being replaced by Roman Sionis).

In my opinion, Harley Quinn: Birds of Prey doesn’t really know what he wants to be, and I can’t help feeling that Joker was supposed to be part of the film, but due to the drama with the negative reception of Jared Leto’s interpretation, it was excluded completely from the project. However, McGregor’s interpretation gives Ronan Sionis an aura of threat, of terror, as he really seems to be dangerous and we still feel his ferocity emanating from the screen.

That said, all the interpretations are really excellent, Margot Robbie is enthusiastic on paper, her character is highly memorable and the only one in the film that is really 100% developed. Mary Elizabeth Winstead is incredible in the role of Huntress, despite the little material given to her, and brings a natural charisma to the character that makes her really special, without her this would be an easily forgotten character. Jurnee Smollett-Bell as Canary is also extremely convincing, and brings to the paper a special magnetism that leaves it as one of the most memorable parts of the film.

Harley Quinn: Birds of Prey, on the whole, is not a bad film, although thematically confusing, it is extremely fun and will certainly get a lot of laughs from the audience. Again, Harley Quinn is also the piece that really makes this project so unique, and seeing it on the screen is something that will leave any audience member with a smile on their face.

It is also important to note that the film contains incredibly well choreographed action sequences, which become a visual delight as they become crazier. Their performance is delusional and fiery, as in the rest of the film, giving it a very extravagant and remarkable style.

So, while Harley Quinn: Birds of Prey is no Wonder Woman (2017) and contains a host of problems, it’s also extremely fun, a good time spent in the cinema without the obligation to think about the general problems of life. I can’t say that I loved the movie, but I didn’t hate it either, it’s a decent guilty pleasure and a decent hour spent in front of the big screen.
About ‘Birds of Prey’ writing a lot in principle illegally and unnatural! Tape this clearly does not deserve! After all, the authors and producers completely forgot that people love not only with their eyes but also ears, soul, and brain. And with this love here is clearly stress.
Total: an empty bright one-time little interesting cocktail with two famous actors, flat jokes, absolutely not exciting plot.
Sorry, but this is a really poor attempt at an action film. Margot Robbie is Ok as the feisty heroine from the title, but the rest of the cast are instantly forgettable. I am guessing that Ewan McGregor – the dastardly villain of the piece – was only available for a few filming days as his appearances are pretty shallow from a characterisation perspective and add little to the plot. The interminable fight scenes reminded me of “Bugsy Malone” (1976) only without the custard pies.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/fly-away-home-birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinnnbspreview

_Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)_ is one of the few comic book movies that really gets the spirit of its source material. Director Cathy Yan understands that it should be a chaotic Technicolor feast of action and adventure, and her love letter to Harley Quinn (Margot Robbie) is a blast.
Birds of Prey starts off incredibly strong, with a fantastic introduction to Harley Quinn and her downfall post Joker break up, but the story starts to fall off the rails towards the end. It was hard to stay engaged in the movie with it jumping around so much due to the unreliable narrator that is Harley Quinn. Even though I get the direction they were going for, it just did not work for me. I really did not care about a couple characters in the main cast and found myself on really liking Harley and Black Canary, the other two felt underdeveloped. Ewan McGregor did a fantastic job as the villain in this film, every scene he captivated me with calm demeanor quickly spiraling into insanity, he stole the show. The fight choreography in this film was top notch too, with plenty of creative kills and interesting visuals to boot. I found myself mixed, where I like a part and got bored at others. Definitely inconsistent, but a fun watch none the less.

**Verdict:** _Good_
Nonstop mindfu#k journey through the eyes of Harley Quinn. So much fun to see her character arch. Margot makes it so much fun with putting so many little details like facial expressions, the way she delivers lines, and sometimes just her total awkwardness in the moment. Fun film.

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Portugal 2018 Online Subtitrat in Romana

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Portugal

subtitlu : Portugal
a dezrobi  : 2018-04-12
arhivare : 112 Minutes
compoziţie :

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Guardians of the Galaxy Vol. 2 2017 Online Subtitrat in Romana

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Guardians of the Galaxy Vol. 2

titular  : Guardians of the Galaxy Vol. 2
: 2017-04-19
arhivare : 137 Minutes
gen : Adventure, Action, Science Fiction

I didn’t enjoy this as much as the first one. Too long — could have been about 30 minutes shorter. I don’t mind long movies, but they shouldn’t feel long. There’s some good humour throughout the movie and the characters are enjoyable, particularly Rocket who is my favourite! Story is pretty thin. Some good action sequences, of course. Overall, an average movie. Has lost some of the freshness of the original.
_Logan_, 2017’s first Marvel offering, was a movie I loved because of just how little it relied on its comic book origins, completely forgoing the superhero tropes and going in its own unique and totally enthralling direction.

_Guardians 2_ however, is a movie I loved because of just how intensely it embraced its comic book origins. The Kirby-isms shine through brilliantly and every couple of minutes I found myself grinning like an idiot at some new reference or stylistic choice.

_Logan_ might be the super hero movie for people who don’t like super hero movies. _Guardians 2_ is the super hero movie for people who have steeped themselves deeply in the lore of super heroes. But I absolutely adore them both for the same reason: How they made me **feel**.

_Final rating:★★★★ – An all round good movie with a little something extra._
The David Hasselhoff of all reviews, obviously.

Do you have any tape?

Guardians of the Galaxy Vol. 2, directed by James Gunn, is an action-packed Marvel comedy. The guardians unravel the mysteries of Star-lord aka Peter Quill’s (Chris Pratt) broken history while avoiding constant danger. Oh. And did I mention the soundtrack? Muy bueno! 8)

Unlike most sequels, Vol. 2 might actually be better than Vol. 1.

The entire cast is more likable than the first film. Drax the Destroyer (Dave Bautista) has more comedic lines like, “When you’re ugly and someone loves you, it means they love you for who you are.”

Rocket Racoon (Bradley Cooper) still maintains a sentimental but adorably tough persona. And Baby Groot is cute as ever whenever he says,”I am groot.” In his baby-voice.

One of the more noticeable differences is the relationship between Gamora (Zoe Saldana) and Star-lord. It’s not as intimate. We were all hoping for a sci-fi sex scene. We don’t get it!

The fight scenes are nothing less than spectacular. There’s a scene with Yondu (Michael Rooker) where he’s using a whistle-controlled weapon to kill an entire space crew of villains ALL IN SLOW-MOTION!

Just go watch the film. It’s worth it for the cgi-artwork alone.
“Guardian’s are back to save the galaxy once again”

I felt in this movie the true star was baby Groot the part that how he understands and gives out his understandings in his own style which makes us laugh out loud. Got to see a funny side in Drax the before edition he was always angry this one he always laughs I like the part he keeps saying positive things and suddenly ends it with a negative touch. Now to talk about gamora and quill love is in the air but she keeps denying it. Quills line “We keep searching for something our whole life and we never realize that it has been with us the whole time”. Always hated yondu but this movie made me change. Did not get to see Thanos, I know he is been kept for the big picture. Rockets awesome one liners especially TASERFACE made me burst out with laughter. An awesome family entertainer with action comedy and adventure. And not to forget mantis she was so freaking innocent. Waiting patiently for the next part in this series loved this one. would recommend this movie for everyone.
Notable Acting
Chris Pratt (Peter Quill/Star-Lord) famous for his acting in Jurassic World
Zoe Saldana (Gamora) famous for her acting in Avatar and Star Trek into darkness
Dave Bautista (Drax) he is a famous WWE wrestler and also acted in movies like 007 spectre
Vin Diesel (Baby Groot) famous for his movie series fast and furious
Bradley Cooper (Rocket) famous for his movies like silver linings playbook and the hangover
Michael Rooker (Yondu)
Karen Gillan (Nebula) famous for the movie Oculus and the tv series Doctor Who
Pom Klementieff (Mantis)
Kurt Russell (Ego) famous for his movies the hateful eight, the thing and death proof

My Rating 10/10
**Guardians’ date with the creator.**

The first film was the most unexpected. That was one of the most colourfull space films I have ever seen. Youthful, energetic, fantastic visuals and so the same followed in this sequel as well. Not the same good, but stood to the expectation of the first film’s success. This story does not have a great adventure in the galaxy. A simple quest, but a thrilling action-adventure. Now this accidental space gang is set to meet the creator.

It’s time for Peter to meet his father, Ego. As he still upset with his mother’s death, his encounter with his father was not as expectedly smooth. On the other side of the story, Rocket, Yandu, Baby Groot make their escape from the captivity. They all end up on the Ego’s planet where the rest of the film going to take place. Being the guardians of the galaxy, their fight against the whoever threaten the safety of the universe once again tested with their strength as a team.

James Gunn did it again. And I’m confident that he’s going to do the same for next as well. All the actors were fantastic like the previous film. This time, little fun with little Groot. Anybody who loved the first would love it too. Being a franchise from Marvel universe, it is yet to join the ‘Avengers’. So far so good. I’m now expecting one of the best of best trilogies. Bring it on the volume 3.

_8/10_
I hate this movie. I’m fine and quite proud to be in the minority with this one. I can’t stand how Guardians of the Galaxy Vol 2 thinks family dynamic is just two people bickering about how much daddy didn’t love them as kids. It makes no sense to me why James Gunn or Marvel think that every scene needs to have multiple jokes thrown in no matter what the tone of the scene is supposed to be. Drax’s overused laugh was annoying. Yes, I get it, Baby Groot is dumb. Hahaha…. Oh, now you’re ugly shaming a character and playing it for jokes?

One note characters, a stupid plot of nothing interesting happening, and of course Starlord’s father, a celestial, is nothing more than an evil being setting out to destroy the universe. Does Marvel not realize that villains can have other kinds of motivation?

The only two good things about this movie are the soundtrack and the fact that the events have no effect on the overarching MCU plot. So next time I do a Marvel marathon, I can skip over this trash.
This film is a big “watch and learn” nudge to poorly directed comic book films. James Gunn showed us how to effectively use humor to ante up the storytelling, and even took us to Slow-motion 101 Class.
I AM MARY POPPINS Y’ALL! Glorious cameos and easter eggs. Not gonna speak much about it to avoid spoilers. Great movie.
VISUALS VISUALS! VISUALS! If only my eyes and my head can take it, I would love to watch this on 3D. The team did a superb job on this one!
Awesome Mix Number 2 was amazing! The songs and how they were strategically scored in every scene set up the right mood. Got their playlist on repeat!
It feels like Vin Diesel influenced the film too much. His #FAMILY theme from the Fast and Furious franchise was all over the film!
You can clearly see that Marvel trusted James Gunn. Everything he did, even the slapstick-LooneyToon-ish kind of humor were perfect. He clearly had fun conceptualizing and visualizing everything.
Solid character development and motivation. Can’t gush about it now to avoid spoilers. All I can say is: “Watch it.”
Two words: BABY GROOT! Groot was there to make the nerds’ wives and girlfriends stay and watch the film. He’s cute, adorable and everything that your Disney princesses would love!
The villain, like any other Marvel villains except Loki, sucks. Unclear motivations + can be defeated by the power of love. You know, all that jazz. But aside from that, the entire movie was a very enjoyable watch.
Overall, the second installment delivered very well. It was crazier than the first film, and it was packed with better character development and AWESOME VISUALS! Must….resist spoiling the film.
Not as fun as the first one, but it was still jam-packed with all a Marvel movie will be: humor, action, drama, and BABY GROOT!
Baby Groot was so, so cute! Honestly, I’d pay to watch a whole movie with just Baby Groot as the focus.
What would you get when you put together a group of misfits and call it a day? Hilarious, full of classic songs and drama that you should not miss.
It is a pretty good sequel to Volume 1. What we thought to be an epic dad-son moment was just a facade, and honestly, to Quill, who just wanted a father all this time, it was a bit sad.

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Sabrina 2018 Online Subtitrat in Romana

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Sabrina

cap : Sabrina
a dezrobi  : 2018-07-12
arhivare : 98 Minutes
gen : Horror, Thriller

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New Year Blues 2021 Online Subtitrat in Romana

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New Year Blues

cap : New Year Blues
a elibera  : 2021-02-10
arhivare : 114 Minutes
gen : Drama, Romance

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The Flatwoods Monster: A Legacy of Fear 2018 Online Subtitrat in Romana

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The Flatwoods Monster: A Legacy of Fear

campionat : The Flatwoods Monster: A Legacy of Fear
a dezrobi  : 2018-04-06
arhivare : 45 Minutes
compoziţie : Documentary

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