Atabai 2020 Online Subtitrat in Romana

Atabai Online Subtitrat in Romana – [1080p]

Atabai

colontitlu : Atabai
a răspândi  : 2020-02-01
arhivare : 106 Minutes
compoziţie : Drama, Romance

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Toxic 2022 Online Subtitrat in Romana

Toxic Online Subtitrat in Romana – [1080p]

Toxic

titular  : Toxic
: 2022-04-22
arhivare :
compoziţie : Drama, Mystery

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Pan 2015 Online Subtitrat in Romana

Pan Online Subtitrat in Romana – [1080p]

Pan

titulatură  : Pan
a lăsa  : 2015-09-24
arhivare : 111 Minutes
gen : Fantasy, Adventure, Family, Action

As likened to an innocuous fairy tale rash, the movie mythology surrounding J.M. Barrie’s classical kiddie character “Peter Pan” comes and goes when it pleases. Naturally there have been several big screen interpretations to outlast one’s reserved stash of pixie dust to fling around. From perhaps the best known animated film adaptation of Walt Disney’s nostalgically revered version to the surprisingly big-budgeted Steven Spielberg-directed spectacle dud Hook with a high-caliber cast the legend of “The Boy That Never Grew Up” seems to spark the challenge of presenting yet another spin on Barrie’s iconic treasured tyke.

In director Joe Wright’s sci-fi fantasy action-adventure Pan the familiar factors of Barrie’s magical Boy Wonder are evident and should serve as a mild and manufactured revisit to the “Peter Pan” folklore for children of all ages. However, the whimsical aspect of Pan was dubiously overshadowed, overproduced yet curiously understated in its ability to convey a storytelling moment that did not seem laborious. Consequently, Pan feels mechanical and never quite settles in with any sense of breezy charm or youthful balance of wonderment. Instead, the audience is left wondering about the uniqueness and distinctive approach to an already ubiquitous serving of Barrie’s celebrated literary lad. Despite the vibrant visuals and the given big screen blueprint for “Peter Pan’s” endearing legacy Wright’s toothless tale of flashy action and adventure may just prove to be another proverbial flash in the Pan.

Clearly, there is no rhyme or rhythm to tamper with the built-in concept of what the majestic make-up for “Peter Pan” should be conceived in the minds of generations that were subjected to Barrie’s boundless boy. Still, Wright and Jason Fuchs fail to capture any fresh imagination or intrigue about the puppy dog-eyed youngster’s on-screen by-the-dots adventures. This pumped-up project is pedestrian at best and nothing more than another sparkled rung in the “Peter Pan” ladder of box office hits-and-misses. The casting for Pan is decent enough but the shoddy material they are left to elevate with their included presence is wasted in a stillborn fantasy odyssey that cannot overcome its own creative indifference.

Pan seeks to start out with its own embedded twist by delivering this narrative as a prequel set in 1940’s London. Here, we are introduced to 12-year old Peter (Levi Miller) whose disillusionment continues to spiral while staying at the chaotic Catholic orphanage he was unceremoniously dumped off courtesy of his desperate mother (Amanda Seyfried). Nevertheless, Peter maintains some semblance of hope that his mother will soon return to fetch him and all should solve whatever abandonment issues he has at hand.

Soon, Peter and his fellow orphanage buddies will succumb to the clutches of Blackbeard the Pirate (Hugh Jackman). Evidently bad boy Blackbeard had been a notorious busy beaver by sadistically kidnapping working class children and shipping them off to his Neverland mines to toil there. However, Blackbeard and his bunch cannot be too bad to tolerate since they welcome out-of-the-blue snappy sing-a-longs to such noteworthy tunes as Nirvana’s “Smells Like Teen Spirit” and the Romones’ “Biltzkrieg Bop”. Huh? Of course this impromptu musical sequence is not the only thing that seems curiously out of place in the disjointed Pan.

Okay…so Hugh Jackman has both a black beard and a black heart in PAN. How about a blackboard to erase this ill-conceived ode to the J.M. Barrie treasured tyke?
Okay…so Hugh Jackman has both a black beard and a black heart in PAN. How about a blackboard to erase this ill-conceived ode to the J.M. Barrie treasured tyke?
It is not long before the plagued Peter meets and becomes attached to a hustling drifter named James Hook (Garrett Hedlund). Yes folks…it appears that Star Wars comparisons are in order here as Peter’s Luke Skywalker teams with shifty Hook’s Han Solo to defeat the devilish Blackbeard’s Darth Vader. And you might want to ask who is the Princess Leia in this disguised Star Wars premise amid the mines and high seas? Well, in this case Princess Leia is in the form of Pan’s Tiger Lily (Rooney Mara). Thus, the gang assembles together in an attempt to thwart the iron fist of Darth Vader…er, the diabolical Blackbeard. The excitable exploits of the crew coming together to defeat the pesky pirate is meshed together with the flashy flourishes of random 3-D special effects, the vitality of color and scope and playful variations of well-known “Peter Pan” personalities. Hence, all the festive and feisty flexing that Pan demonstrates still cannot compensate for a lackluster execution of Wright’s anemic installment that botches a ready-made backstory for “Peter Pan” enthusiasts.

As Peter, Miller shows some solid and impish promise as the boy searching for self-discovery in a bizarre surrounding of despair and disappointment. Jackman’s over-the-top villainous Blackbeard is simply passable but nothing really worth hanging your hat on. Jackman’s plotting pirate will not make anyone dismiss Johnny Depp’s Captain Jack Sparrow from the Pirates of the Caribbean movies anytime soon. The added elements in supporting players such as Hedlund’s Hook and Mara’s Tiger Lily (not to mention the Lost Boys) feel synthetic and arbitrary–something not very encouraging as these characterizations are essential to the whole “Peter Pan” universe.

Unfortunately for Pan one might end up saying never mind to the boisterous yet aimless shenanigans situated in Neverland.

Pan (2015)

Warner Bros.

1 hr. 51 mins.

Starring: Levi Miller, Hugh Jackman, Garrett Hedlund, Rooney Mara, Amanda Seyfried

Directed by: Joe Wright

MPAA Rating: PG

Genre: Sci-Fi Fantasy and Adventure

Critic’s rating: ** stars (out of 4 stars)

> Its when Peter stepped into the Neverland for the first time.

Usually everyone loved growing up watching the various film adaptations of original work by JM Barrie’s a century old creation, ‘Peter Pan’. There are plenty of unofficial prequels and sequels were also made and met success. Yet this prequel with high budget and modern technology, but not a Disney film, generated some expectations with stars like Hugh Jackman and Rooney Mara in it.

The box office was not as expected, and the movie was also just above average, but I liked the performances and visuals. The story is about an orphan Peter who becomes a Pan, a leader to ‘the lost boys’. The opening line goes like this: ‘Sometimes friends begin as enemies and enemies as friends’ and that’s what the rest of the movie evolves.

I don’t think I liked this story. In all the prequels, I loved the Nick Willing’s ‘Neverland’ who is a master of prequels to all the greatest fairytales. I disappointed with this only because of lack of the depth in narration, short storyline and quick scenes, other than that it was not a bad flick to me. The main relief was, it was not like the recent ‘Alice in Wonderland’ style movie with the weird costumes, makeups and the character physiques.

Despite all the negative feedback for this flick, I feel it won’t hurt for a one time watch. My eye is now on its sequel, because before the Wendy’s introduction there’s another story is to be told and that is between Peter and Hook. But now it’s on doubt over the result of this movie. Anyway, I’m on for it and hope it only gets better than the original.

6/10
I found this to be a quite enjoyable family movie derived from the Peter Pan story we all love. I am not really sure why it holds a fairly mediocre rating on most rating sites. It is undeserved as far as I am concerned.

The movie is a prequel which tells the story of how Peter became Peter Pan. I think the story is fairly well done and allows for both adventure and humor.

The characters are pretty good although I found Peter Pan to actually be the weakest of them. Hook and Tiger Lily not to mention Blackbeard stole quite a lot of my attention. Peter Pan is not bad just a little…bland.

The movie is darker and more real than other Peter Pan movies. Blackbeard is a rather nasty villain and there are certainly more danger for the good guys in this movie. People do not just get nocked down and come back, they really die.

The special effects are not bad. I quite liked the pixie swarms at the end of the movie. Also, unlike what some reviewers state Peter Pan does fly in the movie. I can only assume that those who state that he does not never bothered to see the movie to the end. Do not review a movie if you cannot be bothered to finish it for Christ sake!

The movie leaves a bit of a whole between the end of this story and the beginning of the traditional Peter Pan story. What happened to make Peter and Hook become enemies and what is the story between Hook and the crocodile for instance? I certainly would not mind a second movie about that.

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Moonfall 2022 Online Subtitrat in Romana

Moonfall Online Subtitrat in Romana – [1080p]

Moonfall

calificativ : Moonfall
a dezlănțui : 2022-02-03
arhivare : 130 Minutes
gen : Science Fiction, Adventure, Action

With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from K.C. Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.

Full review: https://boundingintocomics.com/2022/02/04/moonfall-review-its-raining-moon/
After watching the movie, I thought that if I had watched it on a streaming platform I would wish I caught it in the cinemas. Luckily I watched it on an IMAX cinema so the screen was huge and the sound was great, dialague was loud and clear. It had an entense tone to it to keep my attention. There were jokes here and there, but nothing major to distract me at all. I liked that it starts a bit slow and builds up, the second half is what remind me why I go to the cinemas, non-stop action and greatly done shots that you wish to put on your computer screen. It’s science fiction film that captivates your imagination. The plot and ideas I found very interesting. I enjoyed the movie, so I would recommend to catch it in the cinemas. Bigger cinema, the better. My only complaint is that it couldn’t take advantage of the full IMAX screen that was available, probably due to budget constraints.
A bit messy, this.

‘Moonfall’ is actually good in areas that I was expecting it to be bad in and bad in areas I thought it might’ve been good in. I had caught one of the trailers – at the cinema for a different film – and didn’t hold high hopes for it, especially with the ‘Don’t Look Up’ similarity, though thought the humour/silliness might carry it over the line.

Yet, the humour is poor and it’s in fact the more serious elements that come to the fore. I honestly enjoyed the sci-fi bits of it and the more dramatic stuff. The comedy is very lame, I don’t think I even smirked once to be honest. They should’ve just played it totally straight, in my opinion anyway. The special effects, meanwhile, are a positive.

The cast, when not comedic, work fairly well together. Halle Berry, John Bradley – who may be at the front of the limp jokes but he as an actor is likeable enough that I didn’t dislike him at all – and Patrick Wilson – who I always forget the name of, I was literally trying to recall him throughout the film and I still didn’t crack it – are a solid trio when serious. The support cast, spearheaded by Michael Peña, are meh.

Unfortunately it’s a 6/10 rating from me. I do like disaster movies – ‘2012’, Roland Emmerich’s best, is great – but this one fell short; particularly towards the end. I wouldn’t, personally, say it’s as bad as that average rating chart suggests, but to each their own of course.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/

“Moonfall is as insanely nonsensical as one could hope/expect, but it’s the lack of entertaining sequences for most of the runtime that brings the film down. The balance between the different, simultaneous action set pieces suffers immensely due to the underdeveloped, bland characters, and the incoherent, messy editing work doesn’t help.

Disaster movies always ask for suspension of disbelief, but Roland Emmerich really stretches the absurdity levels by co-writing one of the most scientifically ridiculous screenplays in the history of cinema – the third act revelations are genuinely jaw-dropping.

A surprisingly dull disaster flick across the board, whether it’s about the story, action, or even the performances.”

Rating: D-

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Wobble Palace 2018 Online Subtitrat in Romana

Wobble Palace Online Subtitrat in Romana – [1080p]

Wobble Palace

titlu  : Wobble Palace
lansare : 2018-03-09
arhivare : 85 Minutes
compoziţie : Romance, Comedy, Drama

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Coffee 2022 Online Subtitrat in Romana

Coffee Online Subtitrat in Romana – [1080p]

Coffee

calificativ : Coffee
lansare : 2022-01-14
arhivare :
gen muzical :

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Whiplash 2014 Online Subtitrat in Romana

Whiplash Online Subtitrat in Romana – [1080p]

Whiplash

cap : Whiplash
declanşator : 2014-10-10
arhivare : 107 Minutes
gen : Drama, Music

DISGUSTING NONSENSE…

*** This review may contain spoilers ***

I find it very sad that so many people – including so-called professional reviewers – have rated this crap so highly. I did not walk out (although I was greatly tempted to do so) but saw it to the end. A total waste of time.

Here’s what might spoil it for you, should you believe the BS that’s being spread around this stinking pile of excrement: It could have actually been OK if it hadn’t been so laughably impossibly ridiculous. Perhaps if it had been set in the fifties or the forties when people had much less developed consciousness of human rights? But even so…

I suppose the moral/lesson we are supposed to learn is… if you can’t warp your students enough by abuse to force them to become great musicians then it is perfectly alright to discard or destroy them in the attempt.

This glorified tyrant and bully can himself only produce music at a grade one level and so because he cannot ‘do’ he ‘teaches?’

He does not teach, he does not inspire; he withholds approval, negatively reinforces and rules by fear, and is feared rather than respected. I would have a difficult time to point to a single (pedagogical) scene in the film that had any merit whatsoever or was worth watching for any reason. Maybe I should say that its evident popularity may be evidence that we are truly living in the end times… ha!

See the film if you want to be current, but please decide for yourself from watching it and don’t believe the hype about its ‘genius’ or ‘brilliance.’ It is not either of those things; it’s a poorly written, sad joke.

I would expect that those people who rate it so highly A) want to seem cool because ‘it’s about jazz’ B) have never actually been in a teacher/student situation and therefore, can only imagine how its done C) see all the other positive reviews and so must follow the herd D) don’t really know their ass from their elbow or E) thought the the actor had truly grown because in Spiderman he only yell, but it THIS one, he throws chairs…. or F) all of the above.

Save your money or see something uplifting instead rather than this horseshit.
Fantastic movie with a good cast with an impressive Miles Teller and a yet even more impressive J.K. Simmons. Decent script, great directing, selection of the repertoire and performances.

Just sit down, get a good audio system and enjoy one of the best movies of the 2010s.
J K Simmons won an Oscar for Best Supporting Actor for his mean, bullying monster. Jazz teacher Terence Fletcher who abhors the words ‘good job.’

Fletcher tells a tale about Charlie Parker and how doing a good job was not enough for him. Good job means mediocrity.

Yet Fletcher is a mediocre educator and his college seems not to have noticed this. Instead of being an inspiration his students fear him. He is a nasty tyrant and an incident from his past comes back to haunt him.

Miles Teller plays Andrew Neiman the put upon jazz drummer in the Shaffer Conservatory in New York. Neiman is eager to impress Fletcher but nothing he can do is good enough and withstands all the effluent Fletcher throws at him until one day he snaps.

Damien Chazelle unleashed an unethical monster in Fletcher with Neiman providing the film’s heart but I am not convinced that this is a good film. The rest of the students in the class are silent to the abuse taking place right in front of them. They are young adults, not kids and they do nothing about it.
When I sat down to watch this film, I didn’t know what to expect. I am not usually a fan of films about musicians but this was a brilliant and tense masterpiece. The story is of a very ambitious boy named Andrew (played by Miles Teller) who is a music student in New York. He aspires to be noticed by a prestigious music teacher named Fletcher (played by J.K. Simmons). As his wish starts becoming a reality, he realises the brutality of this teacher who continually pushes him with questionable methods. Damien Chazelle’s direction is almost of a tense boxing or war action drama in that it constantly uses the music of the drumming to build the tension whilst using violent and sharp editing whilst the jazz band play.

Chazelle’s screenplay is very well written. It is filled with humour, tension and heartbreak. The way in which Fletcher switches during Andrew’s first lesson is expertly done. Fletcher relentlessly insults Andrew in a very shocking way which really creates a huge sense of sympathy for Andrew’s character as he struggles to respond. The insulting dialogue is very similar to Stanley Kubrick’s ‘Full Metal Jacket’ in that it is both humourous and disturbingly distressing.

The performances in this film are remarkable. Miles Teller is a relative newcomer but takes to this character with so much depth and understanding. The drumming scenes look like incredible and torturous workouts and Teller really shows the pain and agony his character is going through to reach his dream. The chemistry between the two central characters is flawless. J.K. Simmons is perfect as the abusive music teacher. Simmons manages to combine Fletcher’s distinguished persona with his terrifying unpredictability. Simmons reminds me of his character in Valve’s ‘Portal 2’ in which he continuously spouts insults at the player in a darkly hilarious way.

Overall, ‘Whiplash’ is a fascinating study of passion, ambition and love. The film asks questions about the morality of getting one’s dreams and the acceptable methods of acquiring them. Full of amazing performances all around, and created with such intensity and spirit, my final rating for this film is 4.5 stars.

★★★★½
“There are no two words in the English language more harmful than good job”.

Whiplash follows are main character Andrew Neyman who is a young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher, an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man’s life.

OK let me just start off with this. You had no idea how much I was really looking forward to Whiplash. This was on my movies to check out list, because I heard nothing but positive things from this movie and I heard a lot of people described this film has the “Full Metal Jacket” but with no war or guns, but with music and well… drums. I think Whiplash and “Birdman” was the two movies I wanted to see before making my best movies of the year list, because who knows they might make the list. I haven’t seen “Birdman” yet but will do soon, but I finally had the chance to see Whiplash and my god this movie was just so spectacularly flawless in many ways. Whiplash is the best move of 2014.

J.K. Simmons in this movie probably pulls of the best performance in his career. Every word that came out of his mouth didn’t feel like he was reading from the script then act it out. I felt every angry punch of words that came out of him, because it was so real. I didn’t see J.K. Simmons just playing a movie character in this movie, no he was the freaking Fletcher.

Now let’s talk about Terence Fletcher: The best way to describe Fletcher to those who haven’t seen the film yet, well his like Sgt. Hartman from “Full Metal Jacket”. When he’s on screen your locked on and he’s also the kind of person that would be somebody’s worse nightmare to have for a boss. This guy doesn’t just like music, he breaths music and he wants his band to do perfect. His opinion and his look on music is another thing why I didn’t flat out just hated him, I actually understood him. He made a very good point about how people will comment on you act and say “You did a good job”, and yes I did use the words “you did a great job”, in my past reviews but now I’m never going to use it ever again after this movie.

Miles Teller was another stand out performances in this movie, and just like “Foxcatacher” where Channing Tatum was so over looked by his performance, well Miles Teller has proved himself to be more then a teen in a movie that will be forgotten and so would he, but no Miles Teller played this character so brilliantly he could become the next big thing. Now his character in this movie has the love of the true art of music and you can see that he wants to tell people his love for music, but when the harsh life of reality comes crashing into him it’s truly heartbreaking to see his struggle and effort just not being good enough. Teller played this character so realistic and so brilliantly flawless.

The directing and the writing in this was just….perfect. Damien Chazelle gave this movie style and passion to tell a story about two strong music buffs battling out and he freaking nailed it.

This movie also had probably the best finale that I’ve seen in years. My nails were digging into the seat. I didn’t dare to look away not for one moment, not for one second. I was simply locked on and when it was over… I’m kidding you I actually clapped towards the end of this movie. Now the biggest cliche that I always hear from critics when their talk about a different movies and their use words like “You will clap at the end”, but you don’t, or “You will feel inspired after the film”, and I you don’t. But Whiplash actually did make me feel inspirited towards the end and made me clap. It’s message of not giving up and the dream that you been chancing for isn’t just going to come to you. Movies like Pride, freedom Writers and all that such never ever give me that inspiring feeling inside of me, until I watched this movie.

Overall rating: Whiplash is a movie that everybody needs to see. This isn’t just a popcorn movie where you come and put you legs up and laugh a couple of times, no this movie reaches out to people out there that have the same problems that these character’s have, with their passion of what their what to do in life get’s over shadowed by something you don’t want to do and this movie get’s it right. So go and see if you have the chance.

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Malko Online Subtitrat in Romana

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Malko

colontitlu : Malko
:
arhivare :
gen : Action

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Turkish Ice Cream 2019 Online Subtitrat in Romana

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Turkish Ice Cream

cap : Turkish Ice Cream
declanşator : 2019-03-15
arhivare : 120 Minutes
gen : History, Drama, War

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Gierek 2022 Online Subtitrat in Romana

Gierek Online Subtitrat in Romana – [1080p]

Gierek

calificativ : Gierek
lansare : 2022-01-28
arhivare : 140 Minutes
compoziţie : Drama

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