Extraction 2020 Online Subtitrat in Romana

Extraction Online Subtitrat in Romana – [1080p]

Extraction

titlu  : Extraction
comunicat de presă : 2020-04-24
arhivare : 116 Minutes
gen muzical : Drama, Action, Thriller

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

A lot of times, people can’t figure out who was really in control of a particular movie. Was the director truly the person in charge of every creative and technical choice? Were the producers the ones responsible for most of the film? Or was the cast that carried the whole thing? Having in mind that Extraction is Sam Hargrave’s directorial debut, I have no doubt that the Russo brothers helped him achieve the spectacular action that this movie possesses. The complexity of each choreography screams Russo all the way through.

Now, I don’t want to take any credit from Hargrave! He has a clear vision of how the film should be like, and he delivers the best Netflix original action movie ever. While it’s true that this last sentence doesn’t really mean that much, it’s genuinely great and far better than every other original action flick distributed by the streaming network. Two key components make Extraction a success: its unbelievable, jaw-dropping action, and Chris Hemsworth’s extraordinary physical (and emotional) performance.

I’ll start with the actor. Chris Hemsworth is one of the most underrated actors working today. Everyone looks at his portrayal of Thor in the MCU, and think that he can’t do anything else. First of all, Thor is one of the characters that changed the most within that universe. Chris has demonstrated both his dramatic and comedic range interpreting this superhero. However, in Extraction, not only his physical display and stunts are out of this world (he actually does quite a lot of them), but he’s able to slow down and really delve into an emotionally compelling state. Brilliant performance!

Nevertheless, the action steals the show. Joe and Anthony Russo bring their Marvel’s experience of having to balance dozens of characters at the same time, and the impressive choreography elevates the film so damn much. During the promotion campaign, people kept talking about a stunning oner (one-take sequence), which Chris Hemsworth himself described as “the most complicated action sequence” he’s ever done… They were not joking nor overselling their movie. It’s genuinely a work of art.

I was so surprised by those (approximately) twelve minutes that I stopped the film, went back, and watched them again. I believe it’s one of the pros that home viewing has against theaters. Just to be clear, it’s not actually just one take. It’s a collection of long takes “stitched” together to make it seem (and feel) like a oner. However, it doesn’t diminish this incredibly technical achievement in any way, much on the contrary! The long takes are packed with all kinds of action: car chases, shootouts, knife fighting, hand combat, running, jumping, crawling, you name it.

I’m going to put myself at risk and state that it’s one of the best oners of an action flick in the last few years, especially if we don’t count the two best action sagas of today (Mission: Impossible, John Wick). Throughout the whole runtime, the action is exceptionally filmed. The editing is impeccable, the excitement is always there, and the sense of urgency is never lost. It rarely gets over-the-top, every time our protagonist gets hit, cut, or even shot, it never feels like he should be down and dead. It’s that base of realism inside an action movie that can make it become an outstanding success or a massive fail, and Extraction built a very solid one.

This film has all the ingredients of popcorn-entertainment, and I’m confident it will get huge praise from, at least, the general public. However, it’s evident that the Russo brothers and Hargrave didn’t offer the screenplay the same care that they had with the action. Even though it’s a pretty simple premise, the attempts at making secondary characters important or emotionally resonant fail its target completely. Even Tyler Rake gets a pretty cliche backstory that everyone has seen hundreds of times. I struggled to care for a single person or a relationship.

The reason behind the whole extraction procedure being due to some drug warlords is so formulaic that it’s honestly becoming annoyingly unimaginative. There isn’t even a logical reason for them to be fighting each other over one’s son. The movie also wraps up by leaving tons of questions unanswered regarding its plot, and with a ridiculous try at either being philosophical or actually ruining the entire thing. Finally, I was never a fan of films starting with a flashforward of the protagonist, especially in this genre. It takes away tension and suspense during the actual movie since the viewer knows the flashforward scene hasn’t happened yet.

In the end, Extraction is going to be remembered by its insane action and a fantastic lead performance by Chris Hemsworth. The latter is one of the most underrated actors working today, and he delivers not only a phenomenal physical performance but also an emotionally powerful display. The action is jaw-dropping at every level. The outstanding choreography plus the seamless editing are able to elevate the action into some of the best I’ve seen in the last few years, including a technically mind-blowing oner. The excitement levels are super high throughout the entire runtime, credit to the Russo brothers, who definitely helped the debutant Sam Hargrave in making a great film. However, the focus went all to the action, making the actual story and characters suffer from formulaic storytelling, cliche backstories, and an overall lack of emotional attachment. Still, Extraction is the best Netflix original action movie of its history, so don’t miss it!

Rating: B+
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
http://www.msbreviews.com

A lot of times, people can’t figure out who was really in control of a particular movie. Was the director truly the person in charge of every creative and technical choice? Were the producers the ones responsible for most of the film? Or was the cast that carried the whole thing? Extraction might be Sam Hargrave’s directorial debut, but he’s been a stunt coordinator in Marvel films, working with the Russo brothers in Captain America: Civil War and Avengers: Endgame. The complexity of each choreography screams their names all the way through.

Now, I don’t want to take any credit from Hargrave! He has a clear vision of how the film should be like, and he delivers the best Netflix original action movie ever. While it’s true that this last sentence doesn’t really mean that much, it’s genuinely great and far better than every other original action flick distributed by the streaming network. Two key components make Extraction a success: its unbelievable, jaw-dropping action, and Chris Hemsworth’s extraordinary physical (and emotional) performance.

I’ll start with the actor. Chris Hemsworth is one of the most underrated actors working today. Everyone looks at his portrayal of Thor in the MCU, and think that he can’t do anything else. First of all, Thor is one of the characters that changed the most within that universe. Chris has demonstrated both his dramatic and comedic range interpreting this superhero. However, in Extraction, not only his physical display and stunts are out of this world (he actually does quite a lot of them), but he’s able to slow down and really delve into an emotionally compelling state. Brilliant performance!

Nevertheless, the action steals the show. Joe and Anthony Russo help Sam Hargrave in bringing their Marvel’s experience of having to balance dozens of characters at the same time, and the impressive choreography elevates the film so damn much. During the promotion campaign, people kept talking about a stunning oner (one-take sequence), which Chris Hemsworth himself described as “the most complicated action sequence” he’s ever done… They were not joking nor overselling their movie. It’s genuinely a work of art.

I was so surprised by those (approximately) twelve minutes that I stopped the film, went back, and watched them again. I believe it’s one of the pros that home viewing has against theaters. Just to be clear, it’s not actually just one take. It’s a collection of long takes “stitched” together to make it seem (and feel) like a oner. However, it doesn’t diminish this incredibly technical achievement in any way, much on the contrary! The long takes are packed with all kinds of action: car chases, shootouts, knife fighting, hand combat, running, jumping, crawling, you name it.

I’m going to put myself at risk and state that it’s one of the best oners of an action flick in the last few years, especially if we don’t count the two best action sagas of today (Mission: Impossible, John Wick). Throughout the whole runtime, the action is exceptionally filmed. The editing is impeccable, the excitement is always there, and the sense of urgency is never lost. It rarely gets over-the-top, every time our protagonist gets hit, cut, or even shot, it never feels like he should be down and dead. It’s that base of realism inside an action movie that can make it become an outstanding success or a massive fail, and Extraction built a very solid one.

This film has all the ingredients of popcorn-entertainment, and I’m confident it will get huge praise from, at least, the general public. However, it’s evident that the Russo brothers and Hargrave didn’t offer the screenplay the same care that they had with the action. Even though it’s a pretty simple premise, the attempts at making secondary characters important or emotionally resonant fail its target completely. Even Tyler Rake gets a pretty cliche backstory that everyone has seen hundreds of times. I struggled to care for a single person or a relationship.

The reason behind the whole extraction procedure being due to some drug warlords is so formulaic that it’s honestly becoming annoyingly unimaginative. There isn’t even a logical reason for them to be fighting each other over one’s son. The movie also wraps up by leaving tons of questions unanswered regarding its plot, and with a ridiculous try at either being philosophical or actually ruining the entire thing. Finally, I was never a fan of films starting with a flashforward of the protagonist, especially in this genre. It takes away tension and suspense during the actual movie since the viewer knows the flashforward scene hasn’t happened yet.

In the end, Extraction is going to be remembered by its insane action and a fantastic lead performance by Chris Hemsworth. The latter is one of the most underrated actors working today, and he delivers not only a phenomenal physical performance but also an emotionally powerful display. The action is jaw-dropping at every level. The outstanding choreography plus the seamless editing are able to elevate the action into some of the best I’ve seen in the last few years, including a technically mind-blowing oner. The excitement levels are super high throughout the entire runtime, credit not only to the Russo brothers but also to the debutant director Sam Hargrave (who definitely leaves his mark action-wise) in making a great film. However, the focus went all to the action, making the actual story and characters suffer from formulaic storytelling, cliche backstories, and an overall lack of emotional attachment. Still, Extraction is the best Netflix original action movie of its history, so don’t miss it!

Rating: B+
Click here for a video version of this review: https://youtu.be/5VSDwYyxjsA

_Extraction_ has just been released on Netflix and stars Chris Hemsworth as Tyler Rake, a former Special Forces soldier who now works as a mercenary. He takes on a high risk job rescuing the kidnapped child of a drug lord. Sounds pretty much like every other action movie doesn’t it? Well it kinda is, and it kinda isn’t.

It is a fairly standard action movie from the point of view of having a simple story, a clichéd hero with a tragic past, lots of fights, car chases, and explosions. But what steps this up somewhat is the quality of the action. This movie was put together by Sam Hargrave and the Russo brothers, who of course all made huge contributions to the Marvel cinematic universe, and are therefore people who understand how to string action sequences together. 

This experience shows in brilliantly choreographed fight scenes that echo John Wick but which have a more real world feel like Jason Bourne. There’s fights that take place in a single room, others across multiple floors in an apartment block, and others out in the open street. Wherever the action needs to be the film-makers take you there and make you feel like you’re part of the action. 

This is most evident in a car chase sequence that we paused and rewatched because it was so well put together. Shot to look like one like 15-ish minute take, the camera goes from outside the car to inside the car then out again and around the car and then back in and out the back window, it was excellent. I’ve seen some footage of how they filmed the externals and Hargrave literally strapped himself to the hood of a car to get the shots – a benefit of having a Stunt Co-ordinator as a Director, I guess. The end result was that it just added another level of intensity to an already balls-out sequence. 

So yeah, this movie is one heck of a ride from start to finish, and while it might be light on story, the real reason to watch it is for its incredible action. 
The Dhaka in the film is surely from another multiverse. This may in future be tied up with Doctor Strange Multiverse Of Madness or something😑. And btw if Russo Bros call it cinema again, Mustafa Scorsese swears by Allah that he will shoot himself.
Really good watch, probably won’t watch again, but can recommend.

Chris Hemsworth gives a stellar carry of this movie. Not for lack of trying on the writers’ part, the bulk of quality in this is movie is Hemsworth shooting his way through India. The reasoning of which really isn’t all that important, in fact, it is a designed adversity that he is trying to save a kid’s life. Without even watching the movie, I could have told you it wasn’t worth killing so many people to rescue one kid.

The action is excellent and worth watching the rest of the movie: hell, you could even fast forward through the parts where they’re not fighting. It reminded me a lot of Daredevil series, but focused on guns.

If you want to see some good action, give this a go, but I can’t guarantee the actual story is anything you’ll really get into.
Although the action is probably too abundant and the plot leaves much to be desired, one cannot help but admire the 11 minute pursuit scene, that looks as if it’s been shot in a single take.

7/10

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Elvis 2022 Online Subtitrat in Romana

Elvis Online Subtitrat in Romana – [1080p]

Elvis

titular  : Elvis
lansare : 2022-06-22
arhivare : 159 Minutes
gen muzical : Drama, History, Music

After about ten minutes, I was both exhausted and terrified. Was what I had just seen – colourful but frenetic and haphazard going to continue? Well, it does calm down – and continues to quite cleverly interweave the early years and aspirations of this young boy with the openly racist political situation that prevailed in the Southern United States in the early 1940s. From here on in, I am treating this as a provocative and entertaining but entirely speculative drama about this man. Historians always argue about what did happen – or what might have, and I haven’t any factual insight to add. On that basis, this is a quickly paced and creatively structured depiction of the main points of the life of Elvis. Austin Butler has an uncanny resemblance. As was often said of Dustin Hoffman, it’s a fine line between mimicry and acting, but here I think Butler is more in the latter corner. He puts enormous effort into this portrayal. Physically and emotionally he gives convincingly of his all, leaving us in no doubt as to the talents and raw charisma that drove Presley to sell more records than anyone else. History tells us that he was discovered, and that until his death he had a pretty turbulent relationship with his promoter – Col. Tom Parker (Tom Hanks). Hanks is fine, no better. His make up did distract me, especially as he aged, and his accent isn’t the best; but he features surprisingly sparingly even if he is essentially relaying the narrative to us. Virtually all of this focusses on the excellent Butler as he demonstrates the highs and low of this man who ended up craving love and adulation as readily as anyone can crave drugs or booze (though he used his fair share of them too). I could have done with more flesh on the bones of his relationship with his mother and his wife, but the depictions of the parasitic hangers-on who continually bleed him dry leave us with a potent image of a not unintelligent man who brought pleasure to millions with his gyrating, his songs and his personality, but maybe didn’t keep that much back for himself. It’s planet Baz, so of course it is flamboyant and busy, the musical numbers are fluid and full of energy. Once it settles down it is a vibrant and lively effort that really does fly by and that I really did enjoy.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/

“Elvis features a glorious, electrifying, iconic performance from Austin Butler that will deservedly guarantee him all the awards of the year.

Unfortunately, the actor isn’t enough to overcome the many technical issues, besides Tom Hanks’ massive miscast and the formulaic musical biopic narrative. Baz Luhrmann’s style theoretically fits the legendary singer’s vibrant aura, and the filmmaker’s intention is clear.

Nevertheless, the frenetic, choppy editing and the restless camera movements rather come off as a messy, confusing, headache-inducing atmosphere instead of elements that elevate the overall piece. The unnecessarily hefty doesn’t help.

I was hoping to be surprised, but then again, I’m admittedly not the biggest Elvis/Luhrmann fan.”

Rating: C+

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The Black Phone 2022 Online Subtitrat in Romana

The Black Phone Online Subtitrat in Romana – [1080p]

The Black Phone

colontitlu : The Black Phone
: 2022-06-22
arhivare : 103 Minutes
gen : Horror, Thriller

The thing about adapting a short story for cinema is that we tend to get a great deal of padding to get it to the duration. This film is certainly guilty of that, with the first half hour spent on way too much character establishment that really has very little to do with the gist of the story. Once it does get going though, it’s a cleverly crafted and well put together scary movie centred around “Finn” (Mason Thames). Bullied at school, he is protected by his friend “Robin” (Miguel Cazarez Mora) until he disappears. He isn’t the first child to disappear either, indeed five from this small community have gone missing over the last few weeks. “Finn” is walking home after school when he encounters a man who has dropped his groceries. Offering to help, next thing he knows he is in a grubby basement with only a soiled mattress and a disconnected phone on the wall. His mask-clad captor – who has something of the “Joker” about him – insists he is in no danger, but the phone on the wall starts to ring and the callers – the other five victims – warn him otherwise, and help him to try to best his nemesis. There are one or two jump moments, but mostly there is an effectively accumulating sense of menace well fuelled by confident efforts from Thames and his sister “Gwen” (Madeleine McGraw) who might have inherited her mother’s ability to see the future in dreams – a skill that may prove vital in helping the police save her brother from certain death. There are violent undertones, but very little actual violence is shown as the young man comes to terms with some of his own demons and to try to escape. The last ten minutes redeem it well, and there is something distinctly satisfying about the conclusion. Scott Derrickson has provided us with one of the better Blumhouse dramas of recent years that is sure worth a watch.
With supernatural dread lifted directly from the likes of _Stir of Echoes_ and _The Sixth Sense_, _The Black Phone_ features a breakthrough performance from Madeleine McGraw while Ethan Hawke’s hauntingly memorable turn as The Grabber is felt in a hair-raising sense; like someone who has unknowingly snuck up behind you and waits in your peripheral for that dramatic reveal. _The Black Phone_ is a solid, pulse racing horror film that packs a punch, but seems like the type of film that simply won’t be as delectable on repeat viewings.

**Full review:** https://hubpages.com/entertainment/The-Black-Phone-2022-Review-A-Juvenile-Curtain-Call-of-Death
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/the-black-phone-spoiler-free-review

“The Black Phone carries a horror premise with a supernatural touch full of potential, but it plays too safe by betting on a narrative that’s too simple, predictable, and repetitive.

Scott Derrickson elevates his work with a distinct style, and the fact that the main focus belongs to the protagonists development rather than on generic jumpscares pleases me.

Mason Thames and Madeleine McGraw are, without a doubt, the most impressive elements of the entire film, delivering two of the best performances by young actors of the last decade. Ethan Hawke is underused, just like his unexplored character.

I recommend it, but personally, I expected something more creative.”

Rating: C+
The Black Phone is a paranormal abduction thriller that balances the tension/despair of being trapped and the ghost elements very well. The movie does a great job setting up the main characters in the beginning that gives you a relationship with them and genuine desire for them to succeed. There are a few plot points that are a little questionable, but are they are minor nitpicks and didn’t pull me out of the story too much. The performances all around were great. Ethan Hawke does fantastic in his limited screen time. He conveys the mental state of the Grabber with such nuance, it really makes the hair on the back of your neck stand up. The children do very well too, especially in the more emotionally heavy scenes. A few of the classmates performances in the beginning were a bit awkward. Overall, I had a great time with this movie and it is a testament to the directors and writers that they could adapt such a creative thriller from a short story.

**Verdict:** _Great_
I had to abandon this very early on, as I couldn’t see anything. I’m pretty sure it was daytime, because kids were going to school, but it was so darkly lit that it looked like late dusk. I think there was a sun in the sky, but it might have been a firefly. I put my TV on “vivid,” but it couldn’t remedy the problem. Maybe there’s a good movie in here, but the production is clearly broken, so if you have an HDR TV, you won’t be able to see anything.

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The Unbearable Weight of Massive Talent 2022 Online Subtitrat in Romana

The Unbearable Weight of Massive Talent Online Subtitrat in Romana – [1080p]

The Unbearable Weight of Massive Talent

calificativ : The Unbearable Weight of Massive Talent
a dezlănțui : 2022-04-20
arhivare : 107 Minutes
compoziţie : Action, Comedy, Crime

It certainly seems like _The Unbearable Weight of Massive Talent_ will have a deeper impact on you if you’re at least somewhat of a fan of Nicolas Cage’s work, but could also be amusing for fans of absurd adult comedies. Pedro Pascal is the humorous wingman we all wish we could have; soft-spoken and yet a priceless factor in the overall ludicrous nature of the film. Meanwhile, Nicolas Cage continues to reign supreme as a talented lunatic at the top of his game. _The Unbearable Weight of Massive Talent_ is an outrageous and uproarious expedition into hilarity and absurdity. Nicolas Cage and Pedro Pascal are an unlikely yet brilliant comical duo that will have you rolling on the sticky movie theater floor with laughter.

**Full review:** https://hubpages.com/entertainment/The-Unbearable-Weight-of-Massive-Talent-2022-Review-The-R-Rated-Action-Comedy-of-a-Lifetime
No-one could ever accuse Nicolas Cage of not having a sense of humour. He plays himself for most of this, depicting a somewhat fallen star whose agent (Neil Patrick Harris) finds him a gig for $1m to go to the birthday party of his wealthy Mallorcan superman “Javi” (Pedro Pascal). Lack of options force him to travel and he quite quickly befriends his adulatory, spring screenplay writer, amigo. Snag – well Tiffany Haddish (“Vivan”) is the CIA on the island, and she tries to co-opt him onto a cunning plan to trap “Javi” – whom she believes to be a criminal kingpin behind the kidnap of the daughter of a politician. What now ensue are some quite fun escapades as the actor has to turn his hand to skills he would do off pat if he were in front of a camera, but not so readily in “real life” – and it turns out that he isn’t half bad, either. Is “Javi” really the baddie? Will Cage rise to the challenge? All is revealed in this amiable parody of not just many of his own films, but of espionage and action drama in general. It’s got some car chases, fancy locations, power boats and a room with a waxwork that would not have looked out of place with Peter Cushing and Christopher Lee. A bit ripe at times, the dialogue is peppered with plenty of wittiness and Cage plays the exasperated, then terrified, then motivated actor with aplomb and with his tongue in his cheek. Pascal makes for a fun foil keeping the bromance bubbling along nicely, and with Sharon Horgan delivering well as his long-suffering ex-wife (“Olivia”) this is a well paced and enjoyable adventure romp.
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/unbearable-weight-massive-talent-spoiler-free-review

“The Unbearable Weight of Massive Talent is an admirable tribute to one of the most iconic actors of his generation: Nicolas Cage. A hilariously insane, absurd journey through a career filled with unforgettable gems, equally ridiculous and without any creative constraints.

From the hundreds of delicious references to past works and characters to the phenomenal chemistry between Pedro Pascal and Cage, it will be more complicated for viewers unfamiliar with the latter’s life and filmography to get carried away by the chaotic, naturally exaggerated atmosphere.

Regardless, witnessing Cage play himself is worth any ticket. Endless entertainment for fans of a pure talent that deserves much, much more acclaim.”

Rating: B+

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Roaring 20’s 2021 Online Subtitrat in Romana

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Roaring 20's

generic : Roaring 20’s
a lăsa  : 2021-08-28
arhivare : 85 Minutes
compoziţie : Drama

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Stillwater 2021 Online Subtitrat in Romana

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Stillwater

calitate : Stillwater
a dezlănțui : 2021-07-29
arhivare : 139 Minutes
compoziţie : Drama, Crime, Thriller

Refreshingly different.
Definitely Worth my time. A sad story, but one that will make you think.⭐⭐⭐
I have always liked Matt Damon’s work, but I watched this partly die to the presence of Camille Cottin, who was excellent in the French Netflix series Call My Agent!

The main characters are complex, with Damon playing a redneck Oklahoma man and his daughter. Allison, played by Abigail Breslin. They all do fine work and there is a strong ensemble cast behind them. They do a good job mixing the captioned French dialogue with the English speakers.

The plot eventually relies upon a rather large coincidence, but the dialogue and script are crisp, so it all works. Don’t expect a sappy ending here. As in real life, some things work out and some don’t.

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Theerpugal Virkkapadum 2021 Online Subtitrat in Romana

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Theerpugal Virkkapadum

cap : Theerpugal Virkkapadum
: 2021-12-31
arhivare :
gen muzical : Thriller, Action

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Casablanca 2019 Online Subtitrat in Romana

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Casablanca

calificativ : Casablanca
a slobozi  : 2019-06-04
arhivare : 105 Minutes
compoziţie : Action, Drama

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Interceptor 2022 Online Subtitrat in Romana

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Interceptor

titular  : Interceptor
a lăsa  : 2022-05-26
arhivare : 98 Minutes
gen : Action, Thriller, Adventure

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Look Both Ways 2022 Online Subtitrat in Romana

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subtitlu : Look Both Ways
a lansa  : 2022-08-17
arhivare : 110 Minutes
gen : Romance, Drama, Comedy

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