Khuda Haafiz: Chapter 2 2022 Online Subtitrat in Romana

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Khuda Haafiz: Chapter 2

titlu  : Khuda Haafiz: Chapter 2
a achita  : 2022-07-08
arhivare : 146 Minutes
compoziţie : Drama, Action

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Spider-Man: Far From Home 2019 Online Subtitrat in Romana

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Spider-Man: Far From Home

colontitlu : Spider-Man: Far From Home
declanşator : 2019-06-28
arhivare : 129 Minutes
gen muzical : Action, Adventure, Science Fiction

The whole film is a relentless flurry of action and adventure from the get-go, with the man himself sporting no less than four different spider suits (for all the mega fans out there). Maria Hill (Cobie Smulders) gets a look-in once again after her very disappointing absence from 99.99% of ‘Endgame’, but she’s wasted on screen, serving little to no purpose. And while this film finally gives us a Peter/MJ love story, it’s all too familiar territory – not because of the characters involved but because we saw Peter pursue a crush in ‘Homecoming’. We also saw him try to balance the student/hero sides of his life then too. This is THIS Peter Parker’s fifth time on the rollercoaster. We’ve seen him and fell in love with him as the sweet, innocent kid who had greatness thrust upon him and his thirst to be a superhero. He had his shot in the ring – several times in fact – and now we need to see him grow, but they’ve just given us much of the same. We need to know where this is going, not just watch a kid play dress-ups time and time again.
– Jess Fenton

Read Jess’ full article…
https://www.maketheswitch.com.au/article/review-spider-man-far-from-home-in-a-post-iron-man-world-spideys-still-the-same-insecure-kid
Amazing movie!!
If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂

First of all, this is a spoiler-free review of Far From Home, but NOT of Avengers: Endgame! So, if you still didn’t watch the latter or heard what happens in it (by some inexplicable reason), this is a SPOILER WARNING for the events of that era-ending film. Moving on to the web-slinger, this sequel is everything it should be and a bit more. It beautifully encapsulates how everyone’s feeling about the central death of Endgame, especially Peter Parker. I wished Jon Watts would put a lot of focus into Spider-Man’s grief and I hoped that a big part of the plot would be him just having to deal with the fact that his mentor/father figure is gone. He can’t continue to just be the friendly neighborhood Spider-Man. He needs to grow up and become what everyone expects of him: to be the best of them all.

Watts does all of it. There are so many emotionally powerful dialogues featuring Nick Fury or Happy (Jon Favreau) or even just moments with Tom Holland just standing alone and having to breathe through the pain of losing someone you love. The pressure that everyone is putting on his shoulders is immense, maybe too much for a simple teenager, but he’s everything but simple. I love every single bit of story dedicated to Peter and Tony Stark’s (Robert Downey Jr.) relationship. Chris McKenna and Erik Sommers wrote a wonderful screenplay, and Jon Watts executed it seamlessly. However, the reason why all of this works is due to Tom Holland’s performance.

He said in an interview he would play Spider-Man until he can and until producers let him. I hope he stays around for years without end. He’s not only my favorite on-screen Spider-Man but my favorite on-screen Peter Parker as well. I love how he spends most of the movie holding on to his feelings, and in the last act, he just lashes out because he can’t take it anymore. He left my eyes close to tearing up in probably the best dialogue of the film with Happy. As a superhero, he perfectly embodies what Spidey is all about, and Holland has the plus of doing most of his action stunts. As a teenager, he’s incredibly funny, innocent, and he still doesn’t know how to deal with falling in love or having a crush, which leads me to the second of the three main storylines of this movie: his relationship with MJ.

Zendaya did get some criticism from fans who, well, don’t like the fact that MJ is not the same one as in Sam Raimi’s original trilogy (physically and psychologically). Same for Holland and the fact that this Spider-Man has a lot more “gadgets” than Tobey Maguire’s. For those people, I only have one advice: understand that this is a distinct universe with different takes on characters we know and with other stories to tell which are, in fact, the closest we had to the comics so far. The sooner you accept this, the easier will be for you to enjoy these films. Having that in mind, MJ didn’t have much to do in Homecoming. Actually, she was even played as a post-credits twist so that the sequel could focus more on her … and it did.

Their relationship gradually evolves throughout the movie smoothly and realistically. They’re teenagers! Having their first crush, trying to come up with a good time and place to tell the other they like them, being nervous when they’re together and being anxious when they’re separated … Watts handled this subplot very well. It didn’t feel forced (rom-coms should take some tips), Zendaya and Holland’s chemistry is palpable, and I love this new MJ. Most of the superhero’s lovers are the cliche damsel in distress, always needing saving and making dumb decisions. Zendaya’s MJ not only can handle herself, but she has an unique personality that makes her stand out.

Finally, the third and last storyline relies on Mysterio (Jake Gyllenhaal). I can’t really get in-depth about this character because he has a massive impact on the narrative, but I can guarantee that Gyllenhaal makes this character work. I like how they approached Mysterio, but if it wasn’t for the outstanding actor that Gyllenhaal is, Far From Home would have suffered a bit. The relationship between him and Spider-Man is well-developed, but the character of Mysterio lacked better treatment. There’s an exposition dump midway through the runtime that’s just horrible. Really, really bad. However, the film moves on and gets better until it reaches the last 45 minutes, which are unbelievable.

I will always prefer a slow start and a fantastic finish than the other way around. Far From Home struggles with the first two acts’ pacing, but the last one compensates that with some of the best action a Spider-Man movie ever had! There are so many sequences where our superheroes are just going at it, flying and swinging across buildings, bridges, and rivers like we’ve seen before, only better. The CGI looked like it could be excessive in the trailers, but instead, it’s some of the best Marvel has shown us. Nevertheless, the jaw-dropping scenes are some that involve illusions, very much like Dr. Strange (Benedict Cumberbatch) had in his origin flick. Spider-Man has two memorable sequences (the VFX here are mind-blowing), one of which incorporates a certain superpower not seen in the MCU so far (officially, at least). The kid in me was smiling with pure joy, let’s write that.

It’s on par with Homecoming. One is better than the other in various areas, but they’re extremely different, so comparing them might be unfair. The first had the goal of introducing a “new” character to the MCU, so the focus relied solely on Peter Parker having to deal with his powers and being the friendly neighborhood Spider-Man. This sequel is set so far away from the origin story and so much happened between these two that if people chose to watch them back-to-back, they wouldn’t understand much of what’s going on. Nevertheless, Far From Home still has its own issues.

Like I wrote above, the first two acts struggle with its pacing. While it’s refreshing to watch Spider-Man in other cities besides New York, the transitions between them are ridiculously fast, especially one that takes Peter Parker to another country in such an illogical way. The film tries to play off these less rational moments with comedy bits quite often and sometimes it just doesn’t work, affecting both the tone and pacing. I liked Ned in Homecoming, and I also enjoyed his presence here, but this time he almost felt like just a comic relief guy instead of that essential “sidekick” to Spider-Man. Michael Giacchino’s score is good, but for some reason, I couldn’t really connect with it, which I think it’s the first time I don’t exactly love Giacchino’s themes. Finally, the comedy skits could be better, they don’t land that many times and the one supposedly funny scene I remember is the absolute worst.

All in all, I still had a blast! I think I prefer Far From Home to Homecoming since the latter deals with a much more complex and emotionally compelling story than the origin flick. The action is some of the MCU’s best and definitely as great as Spider-Man’s action ever was, featuring some mind-bending, astonishing sequences. The cast is brilliant, especially Tom Holland who cements his spot as the best on-screen web-slinger ever. Zendaya and Jon Favreau are also amazing, but I have to praise Jake Gyllenhaal’s performance because he’s just awesome every single time. It’s the movie the MCU needed after the tragic events of Endgame. It works because we feel what Peter Parker’s feeling and we can deal with our grief with the help of Spider-Man’s journey in this film. Aside from some minor problems with pacing, comedy, and exposition, the last act plus the two post-credits scenes, which have a tremendous impact on the movie and on what’s to come on Phase Four, are more than enough for you to go see this film at the theater. Don’t miss it!

Rating: B+
Problems: I thought the Gyllenhaal character was corny, Spidey taking selfies too out of character for a selfless hero, and the Fury twist throughout the movie really unnecessary.

What I liked: Tom Holland continues to be a charming actor.
There’s a some things in _Spider-Man: Far From Home_ that I personally didn’t love. But I got **exactly** what I wanted from Mysterio, and that was so important to me. It’s pretty amazing that the MCU is twenty three films deep, and they’re still bringing out this sort of quality. I know this series is not for everyone. But until they start making movies I don’t like, I’m gonna keep showing up.

_Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._
I just came home with the kids from the cinema where we had watched Spider-Man: Far From Home so I thought I would write a few lines while it was still fresh in my mind.

I have to say that it was a decent enough movie. I didn’t exactly regret having forked out the money to watch it in the cinema but that’s about it. It’s far from a great movie and the end scene…well it’s a typical really crappy Hollywood ending where the writer cannot be bothered to spend time creating something intelligent so he just goes for the usual sensationalist cliffhanger bullshit.

As with the previous movie, Spider-Man: Homecoming, this is a Spider-Man for kids, or at least younger people, movie which perhaps is part of why I am somewhat lukewarm towards it. This one did not feel as childish as the previous one but there is still a lot of teenage angst and rubbish in it. The plot is of course highly predictable as well.

The special effects on the other hand are quite good and essentially what makes the movie worth watching. At least to me. The end fight with hundreds of those drones flying around intermixed with Mysterio’s illusions where quite cool. A bit over the top perhaps but cool nonetheless.
I liked it okay, I guess. Tom Holland was good and shared good chemistry with Zendaya and some of the action was okay, but the so-called plot was rather weak and how it forced into the Iron Man movies fell flat, as did Gyllenhaal post-turn including an awkwardly written exposition scene. Definitely not as good as Homecoming and really reminded me why Marvel proper (mostly) is better at this than Sony-Marvel.
Great film!
Great family movie. Has enough comedy, action, and drama to keep you entertained. Love how the villain played on poor old Spideys naiveness. Underwhelming ending though.
Spider-Man: Far From Home is the first of a new chapter in the MCU.
Sad though, because it’s all the first one with the late Stan Lee.

Still, this was not a bad film. And I am glad they showed that twist where Mysterio was the real bad guy (a nod to the mainstream comics) – I would not have enjoyed the film if they had altered the background of the character.
And that mid-credit scene – I can’t wait for the third film! Maybe they’ll finally introduce the Sinister Six, and maybe Matt Murdcock/Daredevil.
A good end to Phase Three of the Marvel Cinematic Universe.

In short, I like ‘Spider-Man: Far from Home’. I do think it’s someway off its predecessor, but I still had a suitably fun time watching this. Tom Holland remains top notch in the main role, with Jake Gyllenhaal, Samuel L. Jackson and Zendaya supporting strongly.

The story is a solid one, I like the concept of it; especially with Gyllenhaal’s character. Some of the special effects do look a little questionable, but only in relation to how great the effects usually are in the MCU. Compared to an ‘average’ film, they still look good.

By sheer process of the elimination, it probably is one of my least favourite films from this universe. That’s not a negative though, as I very much like it and keenly await the currently unnamed sequel.
My favourite Movie.movie villain,costume was great.
Great and Amazing Movie.Must Watch.
The Best Spider-Man Movie of All time.
This movie is great. It is better than **Spider-Man: Homecoming** and must watch.

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Andhaghaaram 2020 Online Subtitrat in Romana

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Andhaghaaram

campionat : Andhaghaaram
comunicat de presă : 2020-11-24
arhivare : 171 Minutes
gen : Thriller

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Are You Lonesome Tonight? 2021 Online Subtitrat in Romana

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Are You Lonesome Tonight?

calitate : Are You Lonesome Tonight?
a lăsa  : 2021-06-12
arhivare : 95 Minutes
compoziţie : Crime, Mystery, Thriller

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The Father 2020 Online Subtitrat in Romana

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The Father

titular  : The Father
a răspândi  : 2020-12-23
arhivare : 97 Minutes
gen muzical : Drama

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

I’ve watched some incredible films during my life. Some offered me a blast of pure entertainment, others left me crying like a baby, and dozens made me laugh uncontrollably. Nevertheless, the most memorable movies are the ones that profoundly impact me emotionally either by remembering me of a past phase of my life or by possessing main characters who I can strongly relate to. What might be “just another film” for most viewers can ultimately become a personal journey for other people in the audience, which is how I partially experienced The Father. I didn’t have massive expectations for the movie itself, but I was curious to know how great Anthony Hopkins would be.

While the legendary actor is undoubtedly a notable standout, Florian Zeller’s creative, unconventional storytelling left me completely floored. By the end of the film, I felt emotionally drained of all my feelings and thoughts due to the increasingly heavier, devastating narrative co-written by Zeller and Christopher Hampton, adapted from the former’s award-winning play, Le Père. This could have been yet another generic story about dementia, but Zeller’s brilliant storytelling places the viewer in the protagonist’s skin, offering a terrifying viewpoint of the disease. From the very first minute until the end, the spectators accompany Anthony, an old man starting to lose track of reality, through his own perspective.

I genuinely don’t know if this sort of point of view has been depicted before, particularly in the case of dementia, but either way, it’s a harrowing experience that will surely leave a vast majority of its viewers extremely captivated throughout the entire runtime. Watching Anthony go through scenes that he wholly believes are indeed happening as he sees them is as attention-grabbing as it is frustrating and sad once the audience gets to see how the same scenes really played out. In fact, if one starts watching the movie without even knowing the synopsis, the first act will almost seem like a mystery-thriller due to so many twists and turns regarding previous conversations that Anthony and the viewers believe are 100% real.

Zeller and Hampton’s script doesn’t only approach Anthony’s feelings but also the loved ones surrounding him, which I firmly believe was both necessary and honest. The Father doesn’t shy away from showing the boiled-up frustration and even desperation that the family usually goes through when dealing with someone with this terrible health condition. I have no words to describe how thoughtful and impactful Zeller’s storytelling method ends up being. I found myself remarkably surprised once I realized the film had reached the one-hour mark. The control of the movie’s pacing and tone is absolutely seamless. Technically, Yorgos Lamprinos’ editing work is as impeccable as Ben Smithard’s lingering cinematography.

However, it’s Ludovico Einaudi’s outstanding score that steals the spotlight in the technical realm. From the atmospheric, grand opera music to the more subtle tracks, Einaudi makes sure to elevate the critical moments with a noticeable sound that helps the viewer understand the progressive shift in Anthony’s perception of reality. Zeller demonstrates immense talent in his feature film directorial debut. Being an adaptation from his own play certainly aids him in bringing the story from stage-to-screen, but his filmmaking choices are worthy of recognition, such as the extensive use of long takes to let the actors shine in their layered roles. And since I mentioned the cast…

Anthony Hopkins delivers an award-worthy performance that only finds in Chadwick Boseman (Ma Rainey’s Black Bottom) a serious rival for this year’s awards season. Hopkins holds countless astonishing displays throughout his career, but this one is definitely one of my favorites. I never anticipated I’d shed so many tears by watching an old man cry or getting slapped in the face, though it’s not even due to the acts themselves but to everything that builds up those moments. During most of the runtime, I don’t really feel sadness or anger. Instead, I feel every character’s pain because it’s incredibly hard to watch how everyone deals with the situation. Hopkins and Olivia Colman are undoubtedly the most impactful, but Olivia Williams and Imogen Poots also add a lot to the sentimental component.

I insinuate above that The Father impacted me at a personal level. A little bit about my life: my grandfather didn’t have dementia, but his mind slowly deteriorated until it reached a point where he had to spend his last few months on this planet stuck in a bed without really talking or moving. Still to this day, part of me regrets not spending that much time with him near the end, while the other part feels a bit relieved that my memory of him in his “normal” state remains intact. I always feared that if I visited him often in his last days of living, I’d only remember his time at the nursing home instead of the years packed with tremendously essential lessons he taught me. This movie left me sleepless, spending the night thinking about that time of my life…

The Father is an overwhelmingly devastating depiction of the painfully progressive disease that is dementia. Florian Zeller’s extremely captivating storytelling places the viewers inside the protagonist’s mind, making the audience witness and feel everything through his unclear perspective. Zeller and Christopher Hampton deliver a brilliantly unique screenplay packed with emotional punches that will leave no one indifferent. From the perfect editing to the persistent camera work, it’s Ludovico Einaudi’s gorgeous, impactful score that elevates the big moments. Zeller’s use of long takes feels both necessary and important to attach the viewers’ attention to Anthony Hopkins, who delivers an award-worthy, powerfully compelling performance. One of my favorites of his entire career. Hopefully, this will be the closest I’ll ever be to experience this mental condition. My personal connection to this film justifies why I’ll offer it my highest rating since November 2019 (Ford v Ferrari). One of the best movies I’ve seen in the last couple of years. Do not miss it!

Rating: A+
“The Father” gives its audience a fully immersive experience with the frustrations of dementia in this stage-to-screen adaptation of Florian Zeller‘s 2012 play. Making his feature film directorial debut, Zeller gives the project a personal touch with much emotional gravity, as he’s so intimate with the source material. The film has the look and feel of a stage play, but it thrusts audiences into the main character’s head in a way that only the medium can achieve.

Anthony (Anthony Hopkins) is growing increasingly confused in his day-to-day activities. At first he can’t remember where he left his watch, but later he doesn’t know if it’s morning or night. The man sometimes doesn’t recognize his daughter Anne (Olivia Colman), and he confuses his caregiver Laura (Imogen Poots) with others in his life with increasing frequency. As Anthony’s mind continues to decline at an alarming rate, he starts to have severe mood swings that are brought on from the frustration of his lifetime of memories slipping away. He refuses assistance from Anne, who is trying her best to help him cope. Change is never easy, but Anthony’s paranoia grows as the fabric of his reality unravels.

The film features excellent turns from Hopkins and Coleman, two seasoned actors who carry the dialogue-heavy film. It’s fantastic work from both of them. Zeller puts viewers into Anthony’s shoes, adopting the old man’s mental state as he questions what’s real and what’s imagined. You’ll begin to wonder if his daughter and nurse are playing cruel games on him, with a sense of doubt that’s contagious. Something isn’t quite right, and the conflicting distractions offer a puzzle with no easy solution.

The intentional misdirection is a bit gimmicky and the pacing slow, but “The Father” paints a poignant and effective (if depressing) picture from the point of view of a person struggling with dementia.
‘The Father’ is a standout during this very bland awards season, but just because it’s both a critical darling and awards frontrunner doesn’t take away from the emotional power and stellar performances for Colman and Hopkins.
– Chris dos Santos

Read Chris’ full article…
https://www.maketheswitch.com.au/article/review-the-father-a-deeply-moving-look-at-mental-illness
Incredible performances from Anthony Hopkins and Olivia Colman!

‘The Father’ makes for a rather heart-breaking watch, it’s very clear from the get-go where the film is heading but that doesn’t stop it hitting directly in the feels. I’ve fortunately never been around someone with what this film depicts, yet it still came across as very realistic – based on what I have heard about the condition.

Hopkins is utterly superb in the lead role, which is what I expected given I had heard about this 2020 flick back when it won the big gongs. Something I hadn’t heard about, though, was Colman’s performance – which is absolutely fantastic, particularly in one emotional scene alongside Hopkins and Imogen Poots.

A very saddening but brilliant film, cleverly portrayed too.
‘The Father’ is an incredibly moving film that leaves you as confused in time and place as the main character (an incredible Hopkins), allowing the audience to experience – if only a little – what it must feel like to have dementia.

9/10

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Vazhiye 2022 Online Subtitrat in Romana

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Vazhiye

subtitlu : Vazhiye
a slobozi  : 2022-06-11
arhivare :
gen muzical : Horror, Thriller, Mystery

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The Marvels 2023 Online Subtitrat in Romana

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The Marvels

calificativ : The Marvels
declanşator : 2023-07-26
arhivare :
compoziţie : Action, Adventure, Science Fiction

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Her Name Was Christa 2020 Online Subtitrat in Romana

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Her Name Was Christa

calificativ : Her Name Was Christa
a achita  : 2020-02-14
arhivare : 120 Minutes
gen : Romance, Drama, Horror

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Behemoth 2021 Online Subtitrat in Romana

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Behemoth

cap : Behemoth
a dezrobi  : 2021-06-24
arhivare : 88 Minutes
compoziţie : Horror

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The Amazing Spider-Man 2 2014 Online Subtitrat in Romana

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The Amazing Spider-Man 2

calitate : The Amazing Spider-Man 2
a elibera  : 2014-04-16
arhivare : 142 Minutes
compoziţie : Action, Adventure, Fantasy

The second movie in the new Spider-man movie series that directed by Marc Webb. I doubt his potential after seeing this movie. I feel someone should take his position before it become too late. In the history of the Spider-man movies, from all the 6 this one is the worst. Commercially it has done a great business that grabbed around $800 million all over the world, but failed to deliver another quality movie for the fans. The movie engaged with the too much character and subplots. The subplots were not placed in the right spots, kind of random appearance brings the chaos in understanding the story. I had a high hope on this movie and it did not supply well. Frankly, I kind of lost interest in Spider-man. Maybe because it was too soon to reboot, I guess.

> **‘‘You want to be the hero.
> And now you gotta pay the price.’’**

The first movie gave a decent re-start for the refreshed Spider-man movie series. And what happened here in this second installment was a disaster. The first thing is it was nearly a 2 and half an hour movie that brought me lightly a headache to carry on thus far. Actually, it was 10 minutes shorter than what it is now, but in the end they have developed a bit longer to show the opening scene of the third movie. When a movie got a powerful hero, it should have equally matched antagonist. If they are matched, then the fight between them are the next thing to bring the best out of it. I think the Electro man did not click as they have expected, at least not to me. The strength he had was something beyond spider-man, but did not unleash him in a perfect manner. Though Jamie Foxx was not bad in that avatar, the filmmakers kind of wasted his presence for not so good scenes.

Remember the original Spider-man was the modern superhero movies, I mean it was done using computer graphics. Afterwards ‘Batman’, ‘Iron Man’, ‘Thor’ and all were followed. I like the version with Tobey Maguire in it, though my rating declined by movie after another in the trilogy. This reboot series had a good opening, but failed to get the momentum going. Especially all the emotions were looked fakes that do not appeal like the original movie series did. Yes, it had a wonderful box office and that does not mean the movie is good, either worst. But expected a little better, especially in the negative characters. Andrew Garfield was good, not awesome, because most of his masked parts were CGI. Emma stone was another let down and could not help comparing her with Kristen Dunst, because she was no way near, at all. The Dane DeHaan role had the same issue and I don’t know why people did not get better space in the movie that ran 140 minutes long. Like I said subplot spoiled everything I think. The digital 3D and stunts were poor. Yeah, there are many things to complain about it than to praise, but all the answer should come in the next sequel. If that makes bigger, not commercially, I mean with a good story, graphics and performances then there will be no problem. But if it fails, I had to say ‘bring back the fourth installment of the original movie series’. Definitely not worth a watch, but anyway most of the guys going to watch it or already watched it.
It seems that Spider Man is doomed to receive mediocre to abysmal implementations on the big screen. Well, at least in my opinion. The Amazing Spider Man 2 currently have a rating of 7.1 which quite surprises me. This was not the worst Spider Man movie. The 2nd instalment, Spider-Man 2, in the first series with Tobey Maquire still holds that title firmly.

There are some nice special effect fireworks going on and there are some funny parts when Peter Parker puts on the mask and goes to action but apart from that I found the movie uninspired, with a mediocre plot and sometimes downright boring. The plot is perhaps suitable for a comics magazine with its standard set of unlikely events, backstabbing big-corporate employees and disgruntled scientists becoming super villains but on the big-screen one would expect a wee bit more effort going into the plot.

The main villain, Electro, was … well not really giving much of an impression. He never lifted above the pretty silly scientist letting everyone walk all over him and doing really, really stupid things like trying to put two high voltage cables together without turning off the power. Sure he tried to give a menacing appearance towards the end but to me he never really managed to elevate himself to a real super-villain. I almost got the impression that the director actually realized that Electra was not good enough and so decided to come up with some convoluted scheme to throw in The Green Goblin at the end. None of these villains are really bad, just mediocre.

Then of course there is the obligatory Peter Parker wallowing in self-pity that every director seems to just have to put in these movies. It is not funny and downright boring. And for the ending cliffhanger they throw in the Rhino…as some jerk in a monster mechanical suit 😦 . What the f…? The Rhino is supposed to have a polymer bonded to his skin and augmented strength and speed. Not be running around in some silly mechanical Rhino toy!

The entertainment factor of this movie comes almost entirely from the SFX action and a few select scenes. Otherwise the movie was fairly (yawn) mediocre as far as I am concerned. Having said that, being the sci-fi and super-hero fan that I am, I will probably buy the next instalment anyway if one comes out.
The story is predictable and with zero neurons on it but Garfield and Stone connection is good and the comedy moments sort of enjoyable.

Probably you could remove the super-hero mess and you would had a much better romantic comedy.
Spider-Man stuffed once again.

Marc Webb returns to direct what Sony had hoped was the second instalment of a longer running reboot of the Spider-Man franchise. Writing this now, I’m armed with the knowledge that once again the web slinger will get another reboot in 2017, which after viewing this sequel comes as no surprise.

It’s not so much that it’s a bad film, or a bad Spider-Man film at that, it’s just that it feels all very familiar, whilst simultaneously hugging the same pitfalls as Sam Raimi’s Spiderman 3. Webb tries to juggle a screenplay with 3 villains (well two and a half really), a tricky romance between Peter Parker (Andrew Garfield) and Gwen Stacy (Emma Stone), and of course there’s school, a best friend and affairs of the home heart to deal with.

The introduction of Electro (Jamie Foxx) is a good move, inputting a new villain into the spidey world is most welcome. Yet in spite of Foxx earning some level of sympathy with the characterisation, it never really works and unfortunately draws comparisons with a certain Mr. Freeze from another franchise. Dane DeHaan comes in as Harry Osborn, soon to be Green Goblin, again the tortured soul act is well performed, but come Goblin time the make up and effects work is laughable. While Paul Giamati as Aleksei Sytsevich – cum – Rhino, is having fun but is barely in the picture.

Stone is the best thing in it by far, while Garfield works hard, but there is no getting away from the fact that they both are – and look – too old for their parts. The action is fun and pulse raising, but there’s not enough of it to sustain a running time of 2 hours and 20 minutes. Though on the plus side Webb and his team are to be applauded for choosing a story line that is ultimately bold and contains a great emotional whack. All told it’s a shaky entry to the spidey world, one that once again forced Sony into another rethink. Lets hope the next journey spidey goes on has some clarity and streamlined sense. 6/10
Had high hopes for this one because of the first film. Was not disappointed!
I think maybe some of the lustre from Andrew Garfield’s first outing as “Spider-Man” had already worn off for this really rather mediocre sequel. This time he has to don his red and blue lycra and save the city – and “Gwen” (Emma Stone) – from the marauding “Green Goblin”. There is quite a degree of on-screen chemistry between Garfield and Stone, and as an action-romance, this is at the more entertaining end of the scale. It’s the plot and the tech elements that let it down. The visual effects upon which it relies so heavily are really nothing special. Nor, it has to be said, are the baddies. The “Green Goblin” just isn’t menacing enough. That might be, perhaps, because Dane DeHaan is one of those actors (a bit like Michael Pitt) whom I never really understood why he made it at all. The make up artists do work wonders in demonstrating his decline into moral turpitude, but as an actor he is just, well, insipid as the poor, misguided and bitter “Harry Osborne”. Jamie Foxx has a bit more fun as the sparky “Electro”, though that character is largely undeveloped and Sally Field can be relied upon to add a little maternal instinct as “Aunt May”, but somehow the whole thing is just one beat off. The first film had a much stronger story and a cast that were still bedding down; this reverses that with much more assured performances from the two at the top of the bill, but with a much less meaty story to back them up. I did like Andrew Garfield in this role – he has charisma as an actor, but this is all just a bit flat and though impressive to watch on a big screen with big sound, is not a film that will make anyone’s top ten – even Marc Webb’s, I think.

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